Welcome to Hawk-IT Interviews!
I'm excited to welcome you to another edition of Hawk-IT Interviews. This time, I had the opportunity to do an in-depth Q&A with Jason J. Kennedy, guitarist and founding member of the metal band Slanderus, as well as a dedicated horror cosplayer.
In this exclusive interview, Jason shares his journey as a musician, how Slanderus came to life, his creative songwriting process, the guitars and gear he relies on, and the experiences that have shaped him both on and off the stage. We also dive into his passion for horror films, his love of cosplay, and how both have influenced his creativity and artistic identity.
Whether you're a fan of heavy metal, guitar playing, horror, or cosplay, this interview offers a fascinating look into the life of an artist who has dedicated himself to pursuing his passions. We hope you enjoy getting to know the person behind the music.
Please enjoy our interview with Jason J. Kennedy.
Let's Begin!!
Amit Ahuja: For readers who may be discovering you for the first time, how would you introduce yourself beyond the titles of guitarist, cosplayer, and horror enthusiast? Who is Jason J. Kennedy away from the stage, and what experiences, values, and defining moments throughout your life have shaped the person and artist you've become today?
Jason J. Kennedy: For readers who may be discovering me for the first time, I'm someone who has always had a strong passion for creativity and the things that inspire me. Music is obviously a huge part of my life through playing guitar and being a founding member of Slanderus, but outside of music, I'm a huge movie and horror fan. I love going to the movies and attending horror conventions whenever I can.
I'm also really into cosplay, which is something I enjoy doing on the side. I have costumes for some of my favorite horror characters, including Michael Myers, Jason Voorhees, Freddy Krueger, and Ghostface. I really enjoy being able to bring these characters to life and share that passion with other horror fans at conventions and events.
I think all of these interests—music, movies, horror, and cosplay—are different forms of creativity and self-expression for me. Whether I'm performing on stage with Slanderus, working on a cosplay, or simply watching a great horror movie, I'm always drawn to things that allow me to be creative and connect with other people who share those same passions.
Amit Ahuja: Looking back on your childhood and teenage years, when did music first become something more than just something you listened to? Can you tell us about the moment you picked up a guitar, the artists, albums, or experiences that inspired you early on, and what ultimately convinced you that playing music was something you wanted to dedicate yourself to?
Jason J. Kennedy: I started getting into guitar when I was about 14 years old. My dad was the one who bought me my first guitar, a Jackson RR3 in Burgundy, and that really became the beginning of my journey as a guitarist.
At the time, I was heavily into the nu-metal scene. Bands like Korn, Limp Bizkit, Linkin Park, Disturbed, and Godsmack were some of my biggest influences. I was drawn to the combination of heavy guitar riffs, aggressive sounds, and the energy those bands brought to their music. I think that was what initially made me realize that guitar could be much more than just an instrument—it could be a way to express yourself and be part of something bigger.
Looking back, getting that first guitar from my dad was a pretty defining moment for me. I obviously had no idea where it would eventually lead, but what started as something I was excited to learn gradually became a lifelong passion. Over the years, my musical tastes and influences have continued to expand, but that early love of heavy music and guitar has always remained a big part of who I am as a musician.
Amit Ahuja: Every musician's journey is filled with highs, lows, and countless lessons. From the day you first picked up a guitar to where you are today, how has your playing evolved? Looking back, what have been some of the biggest milestones, obstacles, and accomplishments that have helped shape your identity as both a guitarist and a musician?
Jason J. Kennedy: When I look back at my journey as a guitarist, I think one of the biggest things that has shaped me is simply the amount of time I've spent playing and continuing to learn. My playing has evolved a lot since I first picked up a guitar at 14. My influences have expanded, my technique has improved, and I've learned a lot about songwriting, recording, and performing along the way.
My biggest accomplishment, though, is starting Slanderus and getting to watch the band grow and evolve over the years. Seeing something that started as an idea develop into a real band with its own identity, music, and history has been incredibly rewarding. There have definitely been challenges along the way, but every obstacle has taught me something and helped me grow as a musician.
One of the biggest milestones for me was getting the opportunity to open for Fear Factory and Lions at the Gate at the Whisky a Go Go in Hollywood on Cinco de Mayo. Those are bands I've looked up to, so being able to share the stage with them was a huge moment for me. Getting to meet the members of those bands and experience that night firsthand made it even more memorable. It's one of those shows that I'll always look back on as a major milestone in my journey as a guitarist and musician.
Amit Ahuja: As a guitarist, what do you believe separates a technically proficient player from someone whose playing truly resonates with listeners? When you're writing, recording, or performing, what qualities do you strive to bring into your music that reflect your own personality rather than simply showcasing technical ability?
Jason J. Kennedy: When I approach guitar playing, especially when I start writing a song, it's all about the feel. For me, it starts with coming up with a great, catchy riff—something that immediately grabs me and makes me want to keep playing it.
Because of my style of playing, the riffs usually tend to be heavy by default, but I don't want to limit myself to one particular sound or genre.
A lot of what I write depends on how I'm feeling at the time. I might be in the mood to write something more aggressive and thrash-metal inspired, drawing influence from bands like Metallica, Megadeth, or Iron Maiden. Other times, I might want to write something softer and more melodic, influenced by bands like the Goo Goo Dolls or Creed.
I think that's what makes music interesting to me. I'm not necessarily trying to showcase how technically difficult I can play. I'm more interested in writing something that has a feeling behind it and that people can connect with. Technical ability is important, but I think a great riff or melody that makes you feel something is ultimately more memorable than playing something complicated just for the sake of showing off.
Amit Ahuja: Every band has its own unique origin story, and those early years often shape everything that follows. Can you take us back to the beginning of Slanderus? How did the band first come together, how did you become involved, and what was the original vision for the group? Looking back on those first rehearsals, songwriting sessions, recordings, and live performances, did you ever imagine the band would grow into what it is today?
Jason J. Kennedy: I started Slanderus back in January of 2008. That's when I first came up with the name. I got the idea while listening to the Machine Head song "Slanderous." I thought it would be a cool name for a band, so I did some online research to make sure there wasn't already a band using it. I couldn't find any, so I decided to use it. I also removed the "O" from "Slanderous" to make the name unique to us, and that's how Slanderus was born.
The first solid lineup for the band didn't come together until 2009. Once we finally had a full band and started rehearsing, it was pretty surreal. I was hearing songs that I had just written being played by an actual band, and then getting the opportunity to take those songs onto a stage and perform them live for the first time was an incredible feeling.
At that point, I don't think I could have imagined everything Slanderus would eventually become. Looking back now, seeing how much the band has grown and evolved over the years makes those early days even more meaningful. It all started with an idea, a name, and a handful of songs, and it's been a long journey of learning, creating, and continuing to push the band forward.
Amit Ahuja: Music is often built on trust and collaboration. How would you describe the chemistry within Slanderus when it comes to writing songs, rehearsing, and making creative decisions? How has working alongside your bandmates challenged you to grow as both a guitarist and a musician, and what do you think each member brings to the band's overall sound?
Jason J. Kennedy: I would say my greatest creative ally in Slanderus is Allen. He's been with the band since 2012, and we've developed a really strong creative partnership over the years. We've always worked very well together, and I think our different strengths complement each other.
I primarily write the music, while Allen writes the lyrics and vocal melodies. That division of responsibilities has worked really well for us, and I think we make a great songwriting team. I'll come up with the musical ideas and build the foundation of a song, and then Allen brings his own creativity and perspective through the lyrics and vocal melodies.
Working together for so many years has also helped us understand each other's creative process. I think having that kind of trust and familiarity makes it easier to collaborate, experiment, and push each other creatively. Ultimately, I think that partnership has been a big part of helping Slanderus develop its sound and identity over the years.
Amit Ahuja: Can you take us behind the scenes of a typical Slanderus recording session? From the moment a song idea is introduced to the final mix, what does your workflow look like as the band's guitarist? We'd love to hear how your guitar parts evolve throughout the recording process, how much collaboration takes place between you, your bandmates, and the producer, and whether there have been any unexpected moments in the studio that ultimately made a song stronger than originally envisioned.
Jason J. Kennedy: The songwriting process can vary quite a bit for me. Sometimes I'll start writing a song and work on it for weeks, developing the riffs and ideas until I feel like everything is coming together. Other times, I can start with an idea and have a finished song within just a couple of days. It really depends on the song and how quickly the ideas start to flow.
Once I have my demo completed, I'll present it to the rest of the band. That's when the song starts to take on a life of its own. The other members bring their own ideas and put their personal spin on their parts, which helps turn my initial demo into a full Slanderus song.
Once everyone has their parts worked out, we spend some time rehearsing the song together. We keep working on it until we're comfortable with how everything fits and we're ready to go into the studio and record it. I think that process of starting with one person's idea and then allowing the entire band to contribute is an important part of what makes the finished song feel like Slanderus rather than just something I wrote on my own.
Amit Ahuja: Looking back on your career with Slanderus, what has been the most rewarding moment you've experienced so far? Whether it was recording a particular release, performing at a memorable show, connecting with fans, or achieving a personal milestone, what made that experience so meaningful?
Jason J. Kennedy: I would say one of the most rewarding things I've done with Slanderus is starting Slander Fest. Slander Fest is an annual show that we started last year where we showcase some of the best local bands from the Inland Empire, Orange County, and Los Angeles areas.
I wanted to create something that would give back to our local metal community. Some of my friends in other bands were already putting together their own festivals, and that inspired me to create something of our own. I also wanted an opportunity to play alongside all of our friends who are in local bands while helping bring more attention to the incredible local music scene we have here in Southern California.
It's been really rewarding to see the idea come together and to be able to create a show that's about more than just Slanderus. It's about bringing musicians and fans together and giving talented local bands an opportunity to be seen and heard.
We're continuing that tradition with Slander Fest 2, which will take place on Saturday, November 7th, at Stages in Santa Ana. I'm really excited to see how the festival continues to grow and become something that people look forward to every year.
Amit Ahuja: Slanderus has continued to evolve with every release. When you compare the band's earliest material to where you are today, what growth are you most proud of? As you look toward future releases, are there any new musical directions, influences, techniques, or ideas you're excited to explore that fans may not be expecting?
Jason J. Kennedy: I've always tried to push myself to be more progressive as a guitarist and songwriter. I'm a huge fan of Dream Theater, so I naturally like incorporating a lot of different sounds and ideas into Slanderus. I always want to challenge myself technically and see what I can do on guitar, but at the same time, I never want the technical side to overshadow the importance of writing a great song.
I think Slanderus is somewhat unique because we take inspiration from a number of different metal sub genres. We're not necessarily trying to fit ourselves into one specific category, and I think that gives us the freedom to explore different sounds and approaches.
Faith No More is a great example of a band that has always inspired me for that reason. You can't really put them into just one genre. They incorporate so many different styles and influences into their music, and they have such a unique identity that you can immediately tell when you're listening to them. That's something I really admire and would like to continue developing with Slanderus—being able to explore different musical directions while still maintaining an identity that is uniquely ours.
Amit Ahuja: If you could collaborate with any guitarist or musician—past or present—for a single song, who would you choose and why? What is it about their musicianship, songwriting, or artistic approach that inspires you the most? Looking beyond simply sharing the stage, what do you think each of you would bring creatively to that collaboration, and what kind of song do you imagine the two of you would create together?
Jason J. Kennedy: I would love to collaborate with Dino Cazares. I'm a huge Fear Factory fan, and I've always been fascinated by his approach to guitar playing and songwriting. I'd love the opportunity to just sit down with him and learn more about his picking techniques, how he approaches writing riffs, and how he builds songs.
I think it would be an incredible learning experience for me as a guitarist. At the same time, I could imagine us creating something really unique together. I think we'd end up writing a song that was extremely technical and heavy, but still had a strong melodic element to it. That combination of precision, heaviness, and melody is something I really enjoy, so I think it would be a great creative collaboration.
Amit Ahuja: Every guitarist has dream instruments they've admired throughout their musical journey. If there were absolutely no budget limits, what would your ultimate guitar collection look like? Are there any rare, vintage, custom-built, or signature guitars that you've always dreamed of owning? We'd also love to know if there's one particular instrument that holds special meaning to you and what makes it so significant.
Jason J. Kennedy: I'm fortunate to be able to say that I actually own my dream amplifier. My current amp is a Mesa/Boogie JP2C, and it's an incredible amplifier. It's one of Mesa/Boogie's top-of-the-line amps, and for me, it's the best of the best. I honestly feel like it's as good as it's going to get.
As far as guitars go, I'd love to have a Jackson Custom Shop guitar built specifically to my own specifications someday. My dream guitar would be a Jackson Soloist with a finish that looks like a violin, equipped with EMG pickups and a Floyd Rose tremolo. I think that combination would give me the exact look and feel I'd want in a custom instrument.
I've owned and played a lot of different guitars over the years, but having a guitar built specifically to my own design would be something really special. It would be the ultimate combination of my personal style, the sound I want, and the aesthetics that I've always been drawn to.
Amit Ahuja: Before diving into the songs themselves, could you tell us about the guitars, amplifiers, pedals, tunings, effects, and other gear you relied on while recording these tracks? How did your equipment choices help shape the overall sound and atmosphere of each song?
Jason J. Kennedy: For Slanderus, I use multiple guitars and different tunings depending on the song and the sound I'm looking for. I have guitars set up for E standard, E♭ standard, and Drop D, along with a 7-string tuned to B standard. I also have an 8-string tuned a half step down to F, which is the tuning I use with my Ibanez M80M Meshuggah signature guitar.
I primarily use Jackson guitars, with the Ibanez M80M being the exception. For amplification, I use a Mesa/Boogie JP2C running through a Mesa/Boogie 2x12 cabinet with Celestion Vintage 30 speakers. That's the core of my guitar tone.
For effects, I use a Boss GT-1000 multi-effects board. Having all of those different guitars, tunings, and effects available gives me a lot of flexibility when writing and recording. I can choose the instrument and tuning that best fits the particular song or riff I'm working on, whether I want something more traditional and aggressive or something extremely low and heavy. The combination of the JP2C, the 2x12 cabinet with Vintage 30s, and the GT-1000 gives me a versatile setup that allows me to explore a lot of different sounds while still maintaining the heavy guitar tone that is a big part of Slanderus.
Amit Ahuja: Throughout Slanderus' catalog, songs such as "Poet of the Vine," "Dream Warriors," "Cage of Mercy," "Within the Woods," and "Tectonic Plates" each have their own distinct identity and atmosphere. Looking at each song individually, can you walk us through your specific contributions as the band's guitarist? We'd love to hear about your technical approach to writing and recording your guitar parts, including the riffs, harmonies, melodies, solos, tone selection, effects, layering techniques, and any creative decisions you made while developing these songs. Were there any sections that proved especially challenging or rewarding from a technical standpoint? Finally, beyond the musicianship itself, what does each of these songs mean to you personally, and has your relationship with any of them changed over time?
Jason J. Kennedy: "Poet of the Vine" is actually a unique song for me because it was written entirely by Allen. He wrote both the music and the lyrics, and the song started with his original demo. My role was to take what he had created and adapt the guitar parts to fit my own style of playing.
Because I didn't write the original music, my approach was more about interpreting what Allen had created and making it feel natural to me as a guitarist while staying true to the identity of the song. I think that was an interesting creative process because it gave me the opportunity to take someone else's musical vision and put my own personality into the guitar parts without losing what made the original idea special.
It's also a good example of the creative partnership we have in Slanderus. Even though I primarily write the music for the band, "Poet of the Vine" shows that our songwriting process can work in different ways, and that we can take each other's ideas and build something together.
"Dream Warriors" is a cover of the Dokken song written for the film A Nightmare on Elm Street 3: Dream Warriors. For our version, I play all of the guitars and also perform the lead vocals.
For the guitar parts, I wanted to stay as true as possible to what George Lynch originally did on the song. His playing is such a defining part of the track, so I approached it with a lot of respect for the original recording. I worked to match his guitar parts and, especially, his solos as closely as I could while still putting my own performance into them.
Trying to recreate George Lynch's playing was also a fun challenge from a technical standpoint. His guitar work has a very distinct style, and getting the solos to sound and feel right required me to really focus on his phrasing and technique. Ultimately, the goal was to capture the spirit of the original while giving it the Slanderus treatment.
"Cage of Mercy" was heavily inspired by Black Sabbath, particularly the song "When Death Calls" from the Headless Cross album. I wrote all of the music for the song, while Allen wrote the lyrics and vocal melodies.
One of the things that makes this song especially interesting from a guitar standpoint is the solo. I wanted to experiment with some different sounds, so I used a wah pedal along with the whammy bar on my guitar to create some unique effects and textures. It gave the solo a different character and allowed me to experiment with the guitar in a way that went beyond just playing a traditional lead.
I think the Black Sabbath influence is definitely part of what gives the song its atmosphere, but I also wanted to take those influences and make them our own.
The combination of the heavier riffs, Allen's vocal melodies, and the more experimental approach to the solo helped give "Cage of Mercy" its own identity within the Slanderus catalog.
"Within the Woods" is another song that I wrote in Drop D tuning, and the title and overall theme were inspired by the Evil Dead movies. The title comes from Sam Raimi's original short film Within the Woods, which served as a proof of concept that helped him get The Evil Dead made.
Musically, the song has a lot going on. There is quite a bit of fast alternate picking, with verses that have a Lamb of God-style approach, followed by a more melodic chorus. There's also a heavy breakdown and then a moody bridge that leads into the solo section. I really enjoy the contrast between all of those different sections.
It's one of the older songs in the Slanderus catalog, but it's still a lot of fun to play. It's also one of those songs that has managed to stick around over the years and still makes its way into our setlists to this day. I think that's a testament to how much I still enjoy playing it and how well it has held up over time.
"Tectonic Plates" is a very thrash-inspired song, drawing heavily from bands like Metallica and Megadeth. At the time I wrote it, we didn't really have any songs in our catalog that were heavily rooted in thrash, so I wanted to write something that would bring that influence into the Slanderus sound.
It's an all-around fast and aggressive song, but what makes it stand out to me is the outro. After all of the speed and intensity throughout the song, it transitions into a very melodic ending that is quite different from what we had done on our other songs. I really enjoyed having that contrast between the fast, thrashy sections and the more melodic outro.
I think "Tectonic Plates" is a good example of how I like to bring different influences into Slanderus. Even though the song is heavily rooted in thrash metal, we still found a way to add something unexpected and different to it rather than simply writing a straight-ahead thrash song.
Amit Ahuja: Looking across Slanderus' catalog, which song has been the most technically demanding for you to write, record, or perform live? What specific elements made it such a challenge, and how did overcoming those challenges help you grow as a guitarist?
Jason J. Kennedy: I would say "Stand in Line" is definitely the most technically demanding Slanderus song for me. It's a 7-string song in B standard that clocks in at over eight minutes, and it has a lot of different riffs, changes, and sections throughout. It also has two completely different solo sections, so it's really a monster of a song.
I remember when we were recording it, even I had a hard time with some of the parts because I wasn't used to playing them at the time. It was one of those songs where I really had to push myself and spend time getting comfortable with the material.
When I'm writing, I like to push my playing to almost the limits of what I can do. I think there's a lot of value in challenging yourself like that. If you constantly push yourself almost to your limit, you force yourself to grow as a musician and as a songwriter. "Stand in Line" was definitely one of those songs for me, and overcoming those challenges made me a better guitarist while also teaching me more about what I'm capable of creatively.
Amit Ahuja: Every band has songs that take on a completely different life once they're performed in front of an audience. Which Slanderus song is your personal favorite to perform live, and what is it about that track that makes it especially rewarding? Is there a memorable story or fan reaction connected to that song that has stayed with you?
Jason J. Kennedy: Wow, that's a tough one. We have so many songs in our catalog, and I'm genuinely proud of all of them. If I had to pick one of my favorites to play live, though, I'd probably say "Clarity in Duality."
It's just such an epic song. It has heavy riffs, melodic riffs, amazing lyrics, and I think the overall song structure is really well put together. There's a lot going on musically, but everything fits together in a way that makes the song really satisfying to perform.
I especially love playing it live when the whole band is completely locked in with each other. When everything clicks and we're all playing together, I think the song sounds amazing. It's definitely one of the highlights of the Slanderus discography for me, and it's always a song I look forward to performing.
Amit Ahuja: When someone hears Slanderus for the very first time, what do you hope they walk away feeling? Beyond the heavy riffs and technical musicianship, what emotions, messages, or experiences do you hope listeners connect with through your guitar playing and the band's music as a whole?
Jason J. Kennedy: With Slanderus, my goal is to grab the listener's attention with a really catchy and memorable song. I constantly strive for excellence, and I push everyone in the band to do the same. When people come see us live, I don't want them to walk away thinking, "The singer was good," or "The guitar player was good." I want every member of the band to be performing at their absolute best and contributing something memorable to the overall experience.
I also hope that when someone hears Slanderus for the first time, they hear an original metal band that draws from many different influences while still bringing something fresh, unique, and original to the table. We're not interested in simply rehashing what's already been done.
I think when we all come together and bring our own individual influences and perspectives into the band, that's when we create something truly special and unique. Ultimately, I want people to hear Slanderus and recognize that we're trying to create our own identity rather than just fit into something that already exists.
Amit Ahuja: Outside of music, you're also an avid cosplayer. How did you first discover cosplay, and what inspired you to become involved in that community? What do you enjoy most about bringing different characters to life, and how has cosplay allowed you to express a different side of your creativity beyond playing guitar?
Jason J. Kennedy: I've been going to horror conventions for over 20 years, and I've always loved seeing the cosplayers and the incredible costumes they create. I'm a huge horror movie fan, and I've always loved Halloween costumes, so it felt like a
natural progression for me to eventually start exploring cosplay myself.
I started getting into researching costumes and learning exactly what different characters wore in their movies. I became really interested in finding the specific clothing, boots, masks, and other pieces used on screen and then trying to recreate those looks as accurately as possible in real life.
Michael Myers is probably the best example of that. I have several different Michael Myers costumes, including versions from the original Halloween, Halloween 4, Halloween (2018), Halloween Kills, and Halloween Ends. I try to make each one as screen-accurate as possible. My goal is for the costumes to look like they just came directly off the movie set.
A couple of years ago, I started doing cosplay gigs at local night markets, and I discovered that I really enjoy that side of cosplay as well. I love walking around in costume, taking pictures with people, interacting with fans, and just having a good time. For me, cosplay is another creative outlet, but it's also a great way to connect with people and share my love of horror and movies with others.
Amit Ahuja: Creating an impressive cosplay requires creativity, patience, craftsmanship, and countless hours of work. Can you walk us through your entire process—from selecting a character and researching the design to gathering materials, building or modifying costumes, and finally debuting the completed project? What's been the most ambitious cosplay you've completed so far, and what made that project particularly rewarding?
Jason J. Kennedy: I would say my Michael Myers costumes are the ones I'm most proud of. Michael is my favorite horror character, and I've put a lot of time and research into recreating his different looks from the movies. One of the things I love about the character is that his appearance changes from film to film. There are subtle and sometimes significant differences in the mask, coveralls, and overall look depending on which movie you're watching.
My favorite film is the original 1978 Halloween, followed by Halloween (2018). At the same time, I really love the aged and deteriorated look of Michael in the later films. There's something really cool about seeing how the character's appearance has evolved over the years.
I've put a lot of effort into making my costumes as screen-accurate as possible. My Halloween (2018) mask was rehauled by Shape Studioz, while my Halloween Kills and Halloween Ends masks were rehauled by RMH Studios. For my Halloween (2018) costume, I have an original pair of Workrite Arc Flash Coveralls 131UT95, which are the same model of coveralls used in the film. My Halloween Kills and Halloween Ends coveralls are replicas created by Creepy Customs, and my Halloween (1978) coveralls are also very screen-accurate replicas from Creepy Customs.
For me, the fun is in those details. I want to recreate the character as accurately as I possibly can, down to the specific pieces used for each movie. Michael Myers is a character I genuinely love, so being able to bring those different versions of him to life through cosplay is incredibly rewarding.
Amit Ahuja: You've described yourself as a horror connoisseur, which suggests your appreciation for the genre goes far beyond simply watching scary movies. What first drew you into horror, and what has kept you passionate about the genre over the years? Was there a particular film, director, actor, or personal experience that completely changed the way you viewed horror?
Jason J. Kennedy: I've been into horror for as long as I can remember. I started watching horror movies at a very young age, so the genre has always been a part of my life. I think that's a big reason why my love for horror has stayed with me for so many years. It's almost ingrained into my DNA at this point.
What I love most about horror is how entertaining and creative it can be. I love the suspense and mystery, the villains, the creature designs, and especially practical effects. To me, horror movies are some of the most fun movies to watch because you never know what you're going to see.
I've also been going to horror conventions for over 20 years, and that's given me another way to experience the genre. I love seeing the fans, the incredible costumes, and meeting people who share the same passion for horror that I do.
That eventually led me into cosplay myself and researching characters and costumes in much greater detail.
If I had to point to one movie that represents my love for the genre, it would have to be John Carpenter's Halloween from 1978. I think it's the perfect horror movie. I love the characters, the atmosphere, the cinematography, and especially John Carpenter's score. His ability to use music to create atmosphere is something I really appreciate as a musician myself.
I think my love of horror has continued for so long because it's more than just watching scary movies for me. I appreciate the creativity, the storytelling, the atmosphere, the characters, and the artistry that goes into making a great horror film. It's become a huge part of who I am and one of the things that continues to inspire me creatively.
Amit Ahuja: As someone who has watched countless horror films over the years, what elements do you believe separate a truly great horror movie from one that's easily forgotten? Is it the storytelling, atmosphere, practical effects, suspense, memorable villains, cinematography, sound design, or something else entirely? On the flip side, what are some common clichés or mistakes that immediately take you out of a horror film?
Jason J. Kennedy: For me, a truly great horror movie is a combination of several things. I think atmosphere is extremely important. A movie can have a great story and an interesting villain, but if it doesn't create the right atmosphere, it can lose a lot of its impact. That's one of the things I love about John Carpenter's Halloween. The atmosphere, cinematography, and music all work together perfectly to create this feeling of dread.
I also love suspense and mystery. I think sometimes what you don't see can be much scarier than what you do see. That's one of the reasons Michael Myers is such an effective character. You don't know who or what is behind that blank white mask, and you don't really know what he's thinking or why he's doing what he's doing. That mystery makes him frightening.
I'm also a huge fan of practical effects and creature design. There's something about seeing a physical creature or makeup effect on screen that I really appreciate. I think practical effects can give a horror movie a unique look and make the monsters and villains feel more tangible.
I also think a memorable villain or character can make a horror movie last for decades. Characters like Michael Myers, Freddy Krueger, and Jason Voorhees have become iconic because there's something about them that people remember long after the movie is over.
As far as what takes me out of a horror movie, I think it comes down to things that feel too predictable or cliché. If I can immediately figure out exactly where the story is going or what is about to happen, it takes away some of the suspense. I like movies that surprise me, give me something I haven't seen before, or approach familiar ideas from a different angle.
Ultimately, I think the best horror movies are the ones that create a strong atmosphere, have memorable characters, and make you feel something. Whether it's suspense, fear, mystery, or even just a sense of uneasiness, I want a horror movie to stay with me after the credits roll. That's what separates a truly great horror movie from one that's easily forgotten.
Amit Ahuja: Every horror fan has that one movie they wish they could experience again for the very first time. If you could erase your memory of one horror film just so you could relive that first viewing, which movie would you choose and why? Also, if someone completely new to the genre asked you to recommend five horror films that represent everything you love about horror, which five would make your list, and what makes each one so special?
Jason J. Kennedy: If I could erase my memory of one horror movie and experience it again for the first time, I would probably choose Halloween (1978). It's my favorite horror movie, and I would love to be able to experience that first viewing all over again without knowing anything about the story, Michael Myers, or what was going to happen. There's just something about the atmosphere, the cinematography, the characters, and John Carpenter's incredible score that makes it such a perfect horror movie to me.
If I had to recommend five horror movies to someone who was completely new to the genre, I would probably choose:
1. Halloween (1978) — This would be my number one recommendation. It has everything I love about horror: suspense, atmosphere, mystery, an iconic villain, great cinematography, and an incredible score. It's a perfect example of how you don't need to show everything to be scary.
2. The Evil Dead (1981) — I love the creativity and practical effects in this movie. It's intense, creepy, and completely over-the-top at times. I also have a personal connection to it because my Slanderus song "Within the Woods" was inspired by Sam Raimi's original short film that helped lead to The Evil Dead.
3. A Nightmare on Elm Street (1984) — The concept alone is brilliant. The idea that Freddy can enter your dreams means there is nowhere you can truly escape him. I also think the movie has some incredibly creative practical effects and a memorable cast of characters. It's one of those horror movies that really stands out because it has such a unique premise.
4. The Thing (1982) — This is a perfect example of incredible practical effects, creature design, atmosphere, and paranoia. You never know who you can trust, and the isolation of the setting makes everything even more intense. The practical effects are still amazing to look at today.
5. The Exorcist (1973) — For me, this is one of the ultimate examples of supernatural horror done right. It's disturbing, atmospheric, and genuinely unsettling. It also shows how effective horror can be when it takes its subject matter seriously and builds the tension slowly.
Those five movies represent a lot of what I love about horror: atmosphere, suspense, mystery, practical effects, memorable villains and characters, and creative concepts. They're also a good representation of different sides of the genre, from the classic slasher to supernatural horror, creature features, and psychological terror. If someone watched those five movies and still wanted to explore more horror, I'd say they're off to a pretty good start!
Amit Ahuja: Practical effects and makeup have long been at the heart of horror filmmaking. With modern films relying more heavily on CGI, where do you stand in that debate? Do you think practical effects create a more immersive and believable experience, or is there room for both techniques when they're used effectively?
Jason J. Kennedy: I'm definitely a big fan of practical effects and makeup in horror movies. There's something about seeing a physical creature, mask, or makeup effect that makes it feel more real and tangible. I think practical effects can create a level of immersion that is sometimes difficult to achieve with CGI, especially when you're looking at something that is actually there on set and interacting with the actors.
That's one of the reasons I love older horror movies. The practical effects and creature designs are a huge part of what makes them memorable. You can see the craftsmanship that went into creating the monsters and makeup effects, and I think there's something really special about that.
That being said, I don't think CGI is necessarily a bad thing. I think there is definitely room for both techniques when they're used effectively. CGI can do things that would be extremely difficult or impossible to accomplish practically, and when it's done well, it can be an incredible tool for filmmakers.
For me, the biggest thing is that the effects serve the movie. I would always prefer practical effects when they're appropriate, but I'm not against CGI when it enhances the story and is used effectively. The best approach might actually be combining the two. You can have a practical creature or makeup effect on set and then use CGI to enhance certain elements that would be difficult to achieve otherwise.
Ultimately, I think practical effects will always have a special place in horror. There's something about seeing a real physical effect that you can appreciate as a fan, and I think that craftsmanship is a big part of what makes certain horror movies timeless.
Amit Ahuja: Horror has introduced some of the most recognizable villains in cinematic history. Whether it's Michael Myers, Freddy Krueger, Jason Voorhees, Ghostface, Pinhead, Leatherface, Art the Clown, or another iconic character, who would you consider the greatest horror villain of all time, and what makes that character stand above the rest?
Jason J. Kennedy: I would have to say Michael Myers. He's my favorite horror character, and I think he's also one of the greatest horror villains of all time.
What makes Michael stand above the rest for me is the mystery and the mystique surrounding him. You don't know who or what is behind that blank white mask. It could be anybody. He doesn't talk, he doesn't explain himself, and there's no clear motive behind what he does. He just kills because he kills. I think that's incredibly scary.
With characters like Freddy Krueger, you know who you're dealing with. Freddy has a personality, he talks, he jokes, and you understand his motivations. Michael is the complete opposite. He's almost completely silent and emotionless, which makes him much more unpredictable. You never really know what he's thinking or what he's going to do next.
]I also think the simplicity of his appearance is part of what makes him so iconic. It's just a blank white mask, a pair of coveralls, and a knife. There's nothing complicated about the character visually, but that simplicity makes him instantly recognizable.
For me, the original 1978 version of Michael Myers is the perfect example of the character. There's something almost supernatural about him, but at the same time, you don't really know what he is. That mystery is what makes him so terrifying and is why I think Michael Myers stands above the rest.
Amit Ahuja: Horror often explores real-world fears such as grief, trauma, isolation, guilt, and survival. Do you believe the greatest horror stories are ultimately about monsters and supernatural threats, or are they reflections of the human condition? Are there any horror films that have stayed with you because of the deeper emotional themes they explored rather than simply the scares?
Jason J. Kennedy: I think the greatest horror stories can be about both. At the surface level, you have the monsters, supernatural threats, villains, and all the things that scare us, but the best horror movies can also explore deeper themes about the human condition.
For me, I think that's what makes horror such an interesting genre. You can have a movie that is entertaining and scary on the surface, but underneath that, it can be exploring grief, trauma, isolation, or other real-world fears. I think the best filmmakers are able to combine those things so that the horror works on multiple levels.
One movie that really stands out to me is Hereditary. I think it redefined what a modern horror movie could be. It's obviously a disturbing and terrifying movie, but the story is also deeply rooted in family trauma, grief, and the breakdown of a family. Those emotional themes make the horror feel even more impactful because there's something real underneath all of the supernatural elements.
I also think that's part of what makes movies like The Exorcist so effective. There's a supernatural threat at the center of the story, but the movie also deals with family, faith, and the emotional struggle of watching someone you love go through something you can't understand or control.
I don't think every horror movie needs to have a deep message, though. Sometimes I just want to watch a great slasher or a fun horror movie and enjoy the ride. But when a movie can combine great scares with deeper emotional themes, that's when I think horror can become something truly memorable and stay with you long after you've finished watching it.
Amit Ahuja: If you were given the opportunity to write and direct your own horror film, what kind of story would you want to tell? What themes, setting, creatures, or psychological elements would you explore, and what would make your film different from everything else in the genre?
Jason J. Kennedy: If I had the opportunity to write and direct my own horror film, I think it would involve an unknown killer and a murder mystery. I really like the idea of keeping the audience guessing about who the killer is and what their motives might be.
I would want to create interesting main characters that the audience genuinely cares about. I think that's really important in horror because when you have characters that you actually connect with, you don't want to see them get killed. It makes the tension and suspense much more effective because you become invested in their survival.
Stylistically, I imagine it being something like Phantasm meets Halloween. I would want the movie to have the mystery and atmosphere of a classic slasher, but also incorporate some strange or unexpected elements that make it feel different from a typical horror movie.
I would definitely want the killer to have a memorable look and some kind of unique identity, but I wouldn't want to reveal everything right away. I think keeping some mystery surrounding the killer would be a big part of the story. I'd want the audience to leave the movie still thinking about what they saw and maybe even debating what really happened.
Ultimately, I'd want to make a movie that combines suspense, mystery, memorable characters, and a really strong atmosphere. Something that feels like a classic horror movie but still brings some new ideas to the table.
Amit Ahuja: If you had the opportunity to compose or perform guitar for any horror franchise—past or present—which franchise would you choose, and what kind of atmosphere, tone, or musical direction would you want to create? How would you approach writing music that enhances the tension, emotion, and storytelling of that particular horror universe?
Jason J. Kennedy: If I had the opportunity to compose or perform guitar for any horror franchise, I would have to choose Halloween. John Carpenter's original score for the 1978 film is one of the greatest horror movie scores of all time, and his approach to music has always been a huge inspiration to me.
I would love the opportunity to create something that captures the atmosphere and tension of the Halloween universe while bringing my own musical style into it. I think I would take a very atmospheric approach, using dark, moody guitar parts combined with heavier sections when the story calls for it. I would want the music to build tension and create a sense that something is coming, rather than simply having heavy guitar playing throughout.
I think one of the most important things I've learned from John Carpenter is that the music needs to serve the movie. The score should enhance what's happening on screen and create the right emotion for each scene. I would want to use guitar in a similar way, creating different moods depending on what is happening in the story.
I could imagine taking some of the minimalist, eerie qualities of Carpenter's original score and combining them with heavier, more modern guitar tones. I would want the music to feel like it belongs in the Halloween universe while still having my own identity as a guitarist.
Being able to combine my two biggest creative passions—horror and guitar—would be an incredible opportunity. If I could contribute music to the Halloween franchise, especially in a way that paid respect to Carpenter's original score while bringing something new to the table, that would be an absolute dream come true.
Amit Ahuja: If Slanderus had the opportunity to have one of its songs featured in any horror film or horror franchise—past or present—which movie or series would you choose, and why? Which of your songs do you think would fit that world the best, and what scene or moment can you imagine it accompanying?
Jason J. Kennedy: I would say "Espiritu" for sure. It's a very moody and heavy song, and I think it would fit perfectly in a horror movie, especially something with a paranormal or supernatural theme.
I could imagine it being used during a scene where the tension is building and something supernatural is about to happen, or during a particularly dark and unsettling sequence. The atmosphere of the song would work really well with that kind of imagery.
I think having a Slanderus song featured in a horror movie would be an amazing experience, especially because horror is such a huge part of my life outside of music. Being able to combine two of my biggest passions—music and horror—would be a dream come true. If "Espiritu" ever ended up in the right horror film, I think it could create a really cool atmosphere and introduce Slanderus to an entirely new audience.
Amit Ahuja: Looking back over the years, how has your love of horror influenced not only your taste in films but also your outlook on storytelling, creativity, music, cosplay, and life as a whole? Are there any ways that horror has directly inspired your work with Slanderus or your artistic identity?
Jason J. Kennedy: I think my love of horror has definitely influenced my overall creative identity. I've been watching horror movies and going to horror conventions for over 20 years, so it's something that has been a part of my life for a very long time. It's not necessarily something that directly influences every song I write, but it's definitely one of the things that inspires me creatively.
I think horror has taught me to appreciate atmosphere, mood, suspense, and the importance of creating something memorable. Those are all things that can apply to music, movies, cosplay, or any other creative outlet. When I'm working on a song, I'm always thinking about how I can create a certain feeling or atmosphere, and I think my appreciation for horror has probably influenced that in some way.
Horror has also had a direct influence on some of our music. "Within the Woods," for example, was inspired by Sam Raimi's original short film of the same name, which was the proof of concept that helped lead to The Evil Dead. "Espiritu" is another song that I think has a very moody and heavy atmosphere that would fit perfectly in a paranormal horror movie.
Even my approach to cosplay comes from that same appreciation for storytelling and attention to detail. I enjoy researching exactly what a character wore in a particular movie and trying to recreate it as accurately as possible. Whether it's music or cosplay, I think I just enjoy creating things that people can connect with and appreciate.
Horror has been such a huge part of my life that I think it's become part of my DNA. It's influenced the way I see creativity, the things I'm drawn to, and the kinds of stories and characters that interest me. I don't think I could separate my love of horror from who I am as an artist because it's been such a big part of my life for so long.
Amit Ahuja: As musicians and creative people, it's easy to pour so much of yourselves into your work that it can become mentally and emotionally exhausting. Throughout your journey with Slanderus, as well as your other creative passions, how have you learned to maintain your mental well-being while balancing the pressures of writing, recording, performing, work, and everyday life? Have there been any habits, perspectives, or support systems that have helped you stay grounded during challenging times?
Jason J. Kennedy: I think it's important not to worry too much about what someone else is going to think. I try to play for myself and write for myself. I write the kind of music that I enjoy listening to and that I genuinely want to hear.
If I ever get stuck on something, I think it's important to just take a break and walk away from it. There's no reason to force creativity when it's not happening. I'll come back to it when I feel ready, and usually I'll have a fresh perspective.
I also don't put a lot of pressure on myself when it comes to writing new music. I work on new songs when I feel like it and when I'm inspired to do it. For me, it's about enjoying the process and continuing to grow rather than feeling like I have to constantly be producing something.
At the end of the day, I just try to be the best musician I can be. I think if you focus on improving yourself, writing what you genuinely feel, and creating music that you're proud of, everything else will fall into place. That's what keeps music enjoyable for me and helps me stay grounded.
Amit Ahuja: As we wrap things up, what message would you like to leave with your fans and our readers? For anyone currently chasing a dream, struggling creatively, or still searching for their own voice and identity, what words of encouragement, advice, or perspective would you most like to share from your own experiences as a musician, cosplayer, and lifelong horror enthusiast?
Jason J. Kennedy: I would say to do the things that you love—things that make you feel good and allow you to express yourself. Don't be afraid of what other people might think. Take that chance and put yourself out there.
Stay consistent, stay true to yourself, and don't be afraid to pursue the things that you're passionate about. Whether it's music, cosplay, horror, or anything else that gives you a creative outlet, do it because you love it.
At the end of the day, you have to be true to yourself and enjoy the journey. If you believe in what you're doing, keep pushing forward and don't let the opinions of others hold you back.
A
mit Ahuja: I'd like to extend a sincere thank you to Jason J. Kennedy for taking the time to share his story, experiences, and creative journey with us. From discussing his work as the guitarist and founding member of Slanderus to exploring his passion for horror films and cosplay, Jason offered an honest and insightful look into the dedication, creativity, and hard work that have shaped his career.
Thank you for reading this edition of Hawk-IT Interviews. We hope you enjoyed learning more about Jason J. Kennedy and found inspiration in his journey. Stay tuned for more exclusive interviews with musicians, artists, creators, and industry professionals right here on Hawk-IT Interviews
Be sure to check out Slanderus on your favorite streaming platforms and follow the band on social media to stay up to date on new music, live performances, and upcoming projects. If you're a fan of horror and cosplay, you can also follow Jason's creative work and convention appearances.
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***All photos featured by Hawk-IT Media are the property of Jason J. Kennedy unless otherwise noted.**
