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HAWK-IT INTERVIEWS

Engaging Q&A interviews with fascinating individuals from around the globe. Each conversation offers unique insights and stories, showcasing our diverse backgrounds.


Fann Geoghegan singer of Scarlet Siren

I had the wonderful opportunity to engage in a captivating conversation with Fann Geoghegan, the lead singer of the dynamic band Scarlet Siren. During our insightful question-and-answer session, we explored various facets of her life and musical journey, delving into her experiences and growth as a vocalist for the band. Additionally, we discussed her diverse hobbies and interests, shedding light on the personal passions that inspire her artistry and creativity. I hope you guys enjoy reading this!



AA: We would love for you to share your background with us more. Please tell us about your origins—where you were born and raised, the environment you grew up in, and how your family traditions and cultural heritage have shaped your identity. Additionally, we’re interested in any significant life experiences that have profoundly impacted you. How have these moments influenced your values, beliefs, and who you are today? Your story is important to us, and we are eager to learn about the unique aspects that have contributed to your journey.


FG: I was born here in Santa Monica hospital CA and raised in Northridge until I was 9. My family and I moved to Orlando FL after the 1994 Northridge earthquakes and spent the rest of my schooling in FL. So, I usually say to people I was born in CA but raised in FL. I am the youngest of 3 (2 older brothers). My middle brother is autistic and as kids we were obsessed with Disney, Micheal Jackson, and superheroes. My father was a musician turned director of sales for light and sound equipment (concerts, rides, vegas shows, etc). My mother was a homemaker but used to manage my dad's bands when they started dating. Shes a life coach, singer, and has a deep love for the arts. My parents always wanted us kids to do some kind of activity outside of school, so my oldest brother did karate then became an actor, my middle brother went to art classes, and I was a dancer. I was a ballet dancer as a child starting my training with the Kirov Ballet.


FG: I was on my toes by 7 and had already been in some big ballets all before I was 10. When I moved to FL, I started to take jazz classes, Lyrical, and hip hop, which eventually took me to NYC on a dance internship right after high school. I eventually realized a career as a dancer was not what I wanted, and I decided to take a stab at singing. As children, when we were in the car on long distance drives, or even before bed our parents encouraged us to sing songs either together or even taking turns. There was always music in the house whether it be rock, pop, musicals, disney, and we were always dancing or singing. It was a loud house at times. My father was raised Mormon, and my mom was raised Christian, however they never pushed anything on us strongly. We would say our prayers at night, and before holiday meals, but we were never forced to church, pushed to have a definitive religion, but to just believe that there is something out there. We never had the “race talk “or the “gay talk “, because there were always people from different walks of life around us that became family. Family friends that became aunts and uncles, but when bad things would happen because of race or sexual preference, my parents made a point to always say how wrong that was, and people are people. My parents also taught us that we will always get through life's situations together, they didn't know how, but we'd get through it. Through my dad's job loses, many moves from CA, FL, Miami, PA, back to CA, through my drug abuse and alcoholism, my middle brothers struggles with autism and epilepsy, all the way up to 6yrs ago when my father had 2 strokes on both sides of the brain 2 weeks a apart, we have always found a way to get through it with unconditional love and support.


AA: I find your musical journey truly captivating, and I’m genuinely eager to learn more about it. Could you share with me how you first ventured into the world of music? What sparked your initial interest, and were there any specific moments or experiences that significantly shaped your path? I’m particularly curious about the early influences in your life—whether they were family members, iconic musicians, or particular events—that inspired you to pursue music as an art form.


FG: So, as I was in NYC for my internship at the Broadway Dance Center, I was dancing every day, working events and also trying to audition for a paying gig while I was there. I had the talent, but not the “it “factor as a dancer. When I came home, I auditioned to be in a hip-hop group in FL. The instructor running the audition stopped the dance and singled me out and said, “stop mouthing the words of the song, if you want to sing the song, be a singer”. Needless to say, I didn't make the audition, and I was extremely embarrassed. I didn't even realize I was mouthing the words of the song, So in a decision out of spite, I decided to give being a singer a shot. My father was elated by the idea, so my parents went into full support to find my sound, genre, and career asa solo artist. I started out with instrumental covers in bars, pop originals, classic jazz standards and wine bars, R&B in the local open mic clubs. I even go to be on MTV for their revival show of say what karaoke 2.0, I was on the online competition and won.


FG: When we moved back to CA, is when I attempted an original rock band that fell through. One day on bandmix which is like craigslist for musicians, I was asked to audition for a cover band and stayed with them for 3yrs called Dead Ringer. We played a lot in Orange County from downtown Disney to the House of blues foundation room, Laughlin's Colorado Belle, roof top lounges and even private beach parties. However, my fathers strokes ended that time with that band as I took on being my father's full-time caregiver. I eventually joined another cover band but found it was more drama than it was financially worth, especially when you're getting paid to sing other people's music. I wanted to give original music one last try, because I knew my father always wanted me to at least try to experience what he was able to when he lived here in his 20s, so I auditioned for one last rock band. The band didn't pan out; however, this band is where I met 3 out of the 5 members that are now in Scarlet Siren. My mother was so happy I found the band I was going to be in, but very shocked to find out it was metal.


AA: Additionally, I’m curious about the challenges you faced along the way. Were there obstacles that tested your dedication or would-be setbacks that made you reconsider your path? How did you navigate these challenges, and what strategies or steps did you take to transform your love for music into a successful and fulfilling journey? Your insights would be incredibly inspiring!


FG: As of today, I am 5yrs and 9 months sober, 18yrs clean from drugs, and 25 days free from vaping. I also suffer from Borderline Personality Disorder (BPD). I wasn't sober when I met the band and started to build our project, so to have their support writing as well as in the scene as I got clean and found my true self has been incredible and a real gift. I am also a yoga and pilates instructor. I LOVE teaching. Becoming a teacher has been absolutely life changing for me. It has helped me to see what's worth chasing after and what's not, how to live in the moment, that everything happens for me not to me, who to trust working with and surround yourself with, and to be proud of what the band has accomplished. I truly believe it is my soul's purpose to be a teacher and to help others, through movement, and through music.


AA: Is there an artist whose music and life story have significantly impacted your decision to follow your passion for music? Their struggles, successes, or unique perspectives inspired you to take the bold step of forming your band. I would love to hear how their experiences and artistry influenced your musical journey. What specific aspects of their story resonated with you, and in what ways have they shaped your approach to music? Your journey sounds fascinating—please share your insights!


FG: A lot of the artist who inspired me all have one thing in common. They all have a unique voice, sound or style. PINK, Gwen Stefani when she was in No Doubt, Alanis Morissette, Spiritbox, Lacuna Coil, Celine Dion, Prince, Joss Stone, etc. The list goes on and in many genres. My father always told me to be a GREAT musician, you have to have an appreciation for ALL genres. You don't have to love them all, but respect, and appreciation. So, my taste in music is rather eclectic. Every time something big would happen in my life, good or bad, I always wondered if PINK was following me around and writing about my life. I felt extremely connected and could relate to her music. Every album. I never felt like I fit in anywhere. Especially moving from school to school. Town to town. Even when I sang, I didn't feel like I sounded like anyone in particular, so these artists really spoke to me. Another piece of musical advice my dad gave me was when you write a song or sing, get inside the song because you're the storyteller, and these artists always made me feel I could relate to them. It's also inspired me to keep the lyrics I write open to interpretation so I can maybe reach someone through my music the way these artists reached me.


AA: Additionally, I'm curious about the story behind your band name, Scarlet Sirene. What inspired you to choose this name, and what significance does it hold for each of you? Is there a personal narrative or specific symbolism tied to “Scarlet Sirene” that influenced your decision? It would be fascinating to understand how this name reflects your music and identity as a band.


FG: The name Scarlet Siren is something I'm very proud to be a part of. Scarlet comes from the book “The Scarlet Letter”. People see women in a metal band and assume its gonna be girlie or not be heavy hitting. Just like the letter “A” was placed on Hester Prynne for adultery which was not true. Siren comes from Greek mythology. The sirens sang so beautifully from a distance, but once you got too close, they would kill you. Combining these 2 words truly represents this band. We may have 3 women and 3 men, we may have a female lead singer, we may be silly online and at times on stage, but we go hard with our sound, our performance, and will leave you shocked.


AA: How many members make up the band, and what distinct roles does each play within the group's dynamic? It would be enlightening to understand how each member's unique contributions and talents enhance Scarlet Sirene's overall sound and identity.


FG:  So as I said, I wanted to try one last time to be in an original project, so I found a band that needed a singer and a guitar player. I auditioned and got into the band. Unfortunately, there were 2 lead members of the band that made the environment very toxic and we got very little work done. We found a second guitar player, and a week later 4 of the 6 members (myself included) decided to walk away from that band. Eventually the 4 of us become the beginning stages of Scarlet Siren. Katie Brewer, Rachel Manriquez, and I decided to start our own project as a pose to us all, usually joining someone else's projects, and asked Raul Loza jr to be a part of this band. We all have some form of jazz training, and we all enjoy rock and metal music. We found our amazing drummer Dylan Cutler on bandmix and I'll never forget that day. We had already auditioned 3 drummers, and it was beginning to feel hopeless. The rhythm section of a band is the hardest to find.


FG: So, when Dylan auditioned, he did such a great job learning the songs and adding his flair to it, I remember being in tears knowing he was the guy. Our original bass player chose to move on to a different career path, but funny enough our bass player we have now has been with us from the start as well. Mario Orellana had been friends with Katie and Rachel from high school and he had his own music projects he had been very successful in. So, he ended up helping us record our 1st song, helped us with our 1st music video, and even did the sound at our show at the House of Blues Parish room.


FG: Once our bass player walked away, we asked Mario if he had availability to join our band or at least fill in and he is now a permanent member of the band. Without even trying, we have 3 guys and 3 girls in the band. So, Mario plays bass, screams and does vocals, Raul plays guitar and screams, Katie plays lead guitar, Rachel plays keyboard, Dylan plays drums, and I sing. We truly are a democracy. The music is written by all of us, meaning one person will have an idea, but we all get to put our ideas to the song. We all have a say in the sound, ideas, name of the songs, what shows we do and very rarely if ever have any arguments or disagreements which is a shocker to most when you know there are 6 band members. We are always there for each other outside of the band and really treat each other like we are family or as we call each other “ bandmily “.


AA: Lastly, how would you characterize your music? What influences or themes do you explore in your work, and how do those elements combine to create your distinct sound?


FG: We are all fans of Kill switch Engage, Lacuna Coil, Periphery, Spiritbox, so we started to jam together, go to concerts, talk about the things we like and don't like about certain music, and we eventually came up with the idea that our sound and genre of music would be “Melodic Metal”.


AA: What is it like to experience the thrill and excitement of being a singer and the frontwoman of a band? What emotions and challenges come with taking center stage, and how does it feel to connect with an audience through music?


FG:  I love being a frontwoman. It definitely brings out another side of my personality. I would like to think that when someone meets me, I am nice, approachable and actually kind of shy, but once I am on stage, the part of my personality that wants to get in your face, wants to let out all of the emotions or feelings I keep inside and not care what anyone thinks about me comes out. Don't get me wrong, I have a lot of fun being silly on stage and I always hope my lyrics are reaching people who need to hear them, but this really strong dark feminine comes out of me every time I hit the stage. I enjoy telling the stories of each song through singing, so I get really connected to each emotion as I perform. Some of the songs have a lot of personal meaning to them which can bring up some pretty tough emotions, so making sure I keep the emotion but stay present can be a challenge at some shows. It absolutely makes my evening when I have someone come up to me or message me how much they enjoyed the set or a particular song and how it relates to their lives. Or when people come up and compliment how I perform on stage and say it was the best performance they have seen in a while. It makes all the hard work worth it.


 Fann Geoghegan singer of Scarlet Siren
Fann Geoghegan singer of Scarlet Siren

AA: How do you deal with criticism from those who view you only as the face of the band? It can be tough when individuals concentrate on superficial elements instead of recognizing the artistic skills and contributions you bring. What techniques do you employ to handle criticism and uphold your self-esteem in your position?


FG:  Honestly, we haven't received a lot of negative feedback as a band. If we did though, I wouldn't be surprised or upset because there is so much music out there, we are not going to be everyone's taste and that 100% ok with me. When it comes to individuals concentrating on superficial elements, I just laugh at that. I love my band, our music, the people we surround ourselves with, the fans that come up to us, the promoters we meet and become close to, that anyone's opinions about superficial things or thoughts that are negative are their own to deal with. When someone is passing judgment on you, 9x out of 10, it's about their own issues. Now if you're getting the same critique from multiple sources, it may be something to look at, but if you feel good in your skin, you're proud of your project, and have a lot of people supporting it with a few people hating on it, keep doing what you're doing. You can't make EVERYONE in the world happy or like you, so do what makes you happy without harm and you're set.


AA: What three standout qualities make you truly exceptional as a singer?


FG: The qualities I believe make me an exceptional singer are 1. I am always looking to try new things as a singer like the many genres I've sung throughout my life, harmonies and different ways to control my breath. 2. I can ‘let the song breathe”. Meaning I understand that I don't have to be singing through an entire song to make the song great. Especially when it comes to Scarlet Siren. We are a unit and a team, so the song needs Raul and Mario to have a moment to scream their lyrics, or for Katie and Rachel to have a solo to really allow the vision of the song to come together. It's also helped me to explore opportunities where I'm a feature on other bands projects, or only singing harmonies. 3. Like I said before, I always have in the bank of my mind my father's voice saying to me “be the song, get inside the song” so I’d like to think I am a pretty good storyteller when I'm on stage.


AA: What do you find to be the most significant hurdles as a singer navigating the modern music industry?


FG: Outside of the obvious looks, age and image your band has to have, I'd have to say some of the biggest hurdles for myself as a singer navigating the industry is that it's all about who you know and networking to create those relationships. I am great with conversation and networking; however, it tends to be a little challenging choosing a sober lifestyle. Most events where you meet people are at shows in the evening where everyone is drinking so while you are getting mentally prepared to perform, do your set and then come down to network, most people are already at a point where they won't remember the conversation you've had with them. Now I understand everyone is not like this, but it's taken a few years and meeting at a show to then message online to create the connections


FG: I personally have today. One of the many advantages of having a 6-piece band is that what one person isn't strong at, another person can pick up. Even when one of us has work the next day after a show, we have 5 others to help set up merch, network, and support the other bands playing. I am also so grateful I've started to meet more musicians and promoters that are choosing a sober lifestyle. I have absolutely no issue with anyone who drinks. If anything, I am the one who has an issue with drinking. The metal scene in the Inland Empire has been extremely supportive and respectful of all of us who choose not to drink whether it's because we have a problem with consumption, or we just never had an interest in drinking.


AA: Could you provide a more in-depth exploration of your latest single, "Release the Reclaim," which was released a couple of weeks ago? I'm genuinely intrigued by the inspiration and narrative that shaped the single. Please share your connection to this track; what emotions or life experiences influenced their creation?


FG: Release to Reclaim is a very special song to me personally on many levels. Its the 1st single we’ve dropped that has Mario’s vocals and bass lines, our producer helped guide me to change the vocal direction and really allowed me to dig deep vocally, and the message behind the song is extremely relevant to where I am today as a person. The song is about starting to see that the life you're living is repeating itself over and over. Same script, different cast. You also begin to see this cycle is changing you and not for the better and you decide to release this pattern, walk away from what no longer serves you to reclaim the person you know you were meant to be in this life cycle. Knowing it's scarier staying in the same negative space than walking away into the unknown. So many people settle to have company or the life they're told they should have (married, kids, job that pays well, house, etc.), and believe if you don't have these things by a certain age, you're a failure. However, what I personally find to be a failure when it comes to life, is running away from who you are. Some people push others away to never get hurt, and some people surround themselves with negative and toxic people, so they never have to be alone. Some tick every box to a "successful life” only to feel lost once they complete everything, and some are willing to completely abandon who they are, their beliefs, change their hair, clothes just to feel accepted. This song is about feeling so tired of the back and forth in your mind so you decide to try something new and the excitement it brings you once you realize all the strength you've had inside you hiding away that you feel you can be and do anything.



AA: I'm particularly interested in exploring the behind-the-scenes elements of the production process in greater depth. Could you share the specific vocal techniques and harmonies you integrate to enrich the auditory experience of each track? Additionally, I'm curious about the tools, equipment, and production techniques you use to create the distinct textures and atmospheric qualities that define your music. Any insights into your creative approach, including the technical decisions made during the recording process and how they contribute to the overall sound, would be invaluable!


FG:  The song, like all of our music that has been recorded, was done with Brad Berdberry from Berdberry Music Productions. Even though this particular track was musically recorded at the band members' homes and sent off to Brad, while vocals were recorded at his studio, Brad has been a huge part of our music journey as a band. He has such an impressive background in music and in many genres, he always has a way of inspiring us to try new things but be respectful to the music, what the band wants, and the overall vision. As a band writing the song, someone will have the idea (melody, or concept) and from there, we all put our own ideas into the concept. I personally wait for the final musical part of the song to be completed before I start to write any melody lines. Raul, Mario and I always write a part, then meet up and share what we have to see if it fits together and decide how to layer the vocals. It's a lot of fun, zero drama, and always makes it exciting to write something new.


AA: Can you recall the details of your very first live performance? Describe the setting, the crowd’s energy, and the anticipation leading up to that moment. What were your thoughts and feelings as you stepped onto the stage, and how did it impact you both during the performance and afterward?


FG:  Scarlet Sirens 1st performance was exciting, hectic, but absolutely unforgettable. We were asked to play a show in Corona CA with a bunch of our musician friends. We didn't have enough music for a full 30 min set, so we added some covers and worked nonstop to time it, practice what to talk about and get all our nerves out before the show. It was a full house with a lot of friends, family, and bands we hadn't met yet. I had been playing music and had been on many stages my entire life, but this show was the 1st time I’d be performing original music, and, in a genre, I wasn't all familiar with when it comes to the scene. I was feeling imposter syndrome, but had the incredible support of my band mates, knew we worked hard, and decided to just say “screw it, let's have fun “. It was a successful show, and we ended up getting booked nonstop that year. It was a wild 1st year as a band, and it wouldn't have been the success it was without each member.


AA: Please tell me about any upcoming projects, tours, or collaborations you look forward to. I'm eager to hear what you're most excited about and any details you can share about these initiatives!


FG:  As of right now, with the change in bass player who can sing as well as scream, we want to really focus on writing new music that we have been placing on the backburner for a while, do a music video for release to reclaim, and see if we can grab some endorsements for the band to help us connect with more bands here in CA as well as the US.


AA: If you were presented with the incredible opportunity to open for any band or embark on a world tour, which bands would you choose to join on this exciting journey, and what specific reasons drive your passion for touring alongside them? Consider the musical styles, the energy of their performances, and how their artistry resonates with you. What unique experiences would come from collaborating and sharing the stage with these artists?


FG: If I could personally choose bands to open for and travel the world with, it would be Spiritbox, Lacuna Coil, Killswitch Engage, Dayseeker and even local bigger bands like Screams of Syrens, Inimical Drive, Havoc Faction, to name a few. A few of these bands have inspired us to create the sound we have today, and I always want to be performing with bands that allow you to grow and want to be better. Not competition, but inspiration to be on their level and all of these bands for me personally make me feel this way.


AA: What does success look like to you?


FG:  Success to me is just being unconditionally happy with where you are in life. You look forward to playing music and performing, you're proud of the music you've created with your band and enjoy listening to it, you've played some of the venues you've always dreamed of playing, you have created lifelong friends along the way. Yes, making a financial living off of it would be amazing and a mark of success, but it's not the end all deciding move to be successful.


AA: How do you define happiness in your own life?


FG:  I would have maybe answered this question about happiness very differently 2yrs ago. So much in my life has changed since I got sober, started my spiritual journey, and really began to follow my soul's purpose. Happiness in my own life is living authentically, understanding things happen for you not to you, not taking others' actions too personally, and unconditionally loving myself on every level.


AA: What are your favorite ways to spend your free time? I'd love to hear about the activities that bring you joy and spark your passion!


FG: I am a Yoga and Pilates instructor, and I absolutely LOVE my career. I also enjoy going to other yoga and pilates classes as I continue to grow and learn more. Yoga has completely changed my life. I went on a woman's retreat in Hawaii in 2023, and we did a lot of yoga as well as spiritual healing so I learned more about Yoga, the history, the different types, the dark side and the ways I can help others. It helped me to reconnect with my internal and spiritual self and I enjoy taking the things I've learned and sharing it with my students. That's a big lesson I learned in my yoga theory class as well. We learn theory, the asanas, and pass it along and keep the traditions going. As a pilates teacher, I love teaching my students to love their bodies the way they are. I teach a strength and toning class, so I actually like to use very little to no equipment to show them how strong they actually are in their bodies. I always tell my class to give me quality not quantity as long as the workout moves are in proper alignment. While they do their set, I explain what muscles we’re working and why we are doing it so they can make the connection to their bodies and find more confidence in themselves. For my own free time, Istarted to take a Heels dance class as well as a hip-hop class. I have always needed to move my body in some way. It helps release stored up energy, keeps me healthy, it helped me get through the 1st week of not vaping and dancing makes me have more love and confidence in

my own skin.




AA: What message would you share with everyone if you had the world attention for five

minutes?


FG: If I had the world's attention for 5 mins, the message I'd like to share with everyone is to just be you. Don't change your hair, your interests, your beliefs for ANYONE except you. There are people out there who like the things you like, listen to the same music as you, enjoy the same activities. It's ok to grow and learn new things from other people and you will change a bit as the years go by, just don't change yourself to the point where you don't even recognize yourself in the mirror.


AA:  We appreciate Fann Geoghegan from Scarlet Siren for kindly sharing her story and interests with us.



Vocalist- Fann Geoghegan
Vocalist- Fann Geoghegan


Please access the Linktree below to find detailed information about Fann Geoghegan & Scarlet Siren.



Checkout Yoga / Pilates with Fann IG page:





*** All images and videos are by Fann Geoghegan & Scarlet Siren, unless specified otherwise **


 
 
 

Image by Katherine Seibert of Curious Kat Photography.


I had the opportunity to do a Q&A session with Gerody Shallen, the lead singer of No Kings. We talked about his musical path, his band No Kings, and his personal hobbies and interests.


AA:  I would love to hear more about your background and personal journey. Could you tell me where you grew up and how your upbringing influenced your values and perspectives? Additionally, I’m curious about your cultural heritage and how it has shaped your identity. What specific experiences or milestones have particularly impacted forming who you are today? Your insights will provide a deeper understanding of your unique story.


GS: Happy to dive into that! I moved around a fair bit when I was young, but I spent

middle school and high school in San Diego. I went to a high school that was

known for having a specialty arts program, as well as for having a huge naval

presence due to its proximity to a few bases. Growing up in the midst of two

communities like those, which often have diametrically opposed opinions,

becomes a huge catalyst for seeking out your own opinions.


GS: In that type of environment, you have to be able to back up what you say, so

there’s really no use in being anybody but yourself, and no use in holding true to

anything but what you fervently believe. It’s definitely a big reason I don’t fear

confrontation or debate in general, as well as the reason I’m always so intrigued

by the opinions of others. I fiercely believe most people want to be good, but it’s

also, so easy to be misinformed.


GS: My cultural heritage is pretty simple, actually - both sides immigrated to the US in

the early 1900s, and I’m ethnically Scottish and Jewish. Being from a household

of two different cultures wasn’t too crazy, but it did mean a lot of additional

holidays and history lessons. Oh, and a lot of memories tied to drastically

different food. Scottish shortbread rules, and so do latkes. There’s definitely

some dicey moments where I dealt with instances of anti-semitism or being told I

“wasn’t Jewish enough”, but like I said earlier, I’m not one to fear confrontation,

so those encounters didn’t really drag on. I’m proud of the families I come from,

and both sides taught me to be kind and accepting, but to never be afraid to

stand up for what you believe in.


GS: It’d be really hard for me to name every milestone that’s impacted my current self

greatly in a timely manner, but I think there’s definitely a few worth noting! When

my first “real” band’s music debuted on Alternative Press’ Facebook was a huge

one, finding out that a No Kings show was someone’s first show was big too,

getting Davey Havok from AFI’s approval about making music when I ran into

him at a goth club was life altering, and I think I’d also have to go with when I

adopted my dog, because he’s taught me empathy, responsibility, and

unconditional love in a way I will forever be grateful for.


AA:  I'm eager to explore your musical journey in depth. Could you share a specific moment or experience that ignited your passion for music? I’m curious about what led you to commit to this path sincerely.


GS: There’d be 3 that really ignited it - watching my grandfather, who’s a folk and country guitarist and singer, play was the first spark. My dad showing me American Idiot by Green Day got me obsessed with listening to and exploring music, especially if it had high energy, or thought-provoking themes about stuff like politics or religion. Then in middle school, when I beat Guitar Hero III for the Nintendo Wii, I realized I needed to start playing and writing music. From there, writing and performing have been what have brought me the most joy in life, and it’s been a journey of nothing but passion and love.


AA: Is there a particular musician whose creativity and life story has greatly influenced your decision to pursue music? Did their narrative inspire you to take the leap and form your band? Please describe how their journey and artistry have shaped your musical path.


GS: In terms of creativity and pursuing music, definitely, it’d be either Billie Joe Armstrong from Green Day, Bill Kelliher from Mastodon, or The Rev from Avenged Sevenfold. They all write incredible songs with incredibly unique songwriting styles; they’ve never been afraid to tackle hard subject matter, like Armstrong’s writing on politics, Kelliher’s writing on his mother’s death, or The Rev’s consistent themes of writing about the afterlife until his own untimely passing.


Image by Katherine Seibert of Curious Kat Photography.


AA:  I am eager to delve deeper into the story of your band, No Kings. Can you share the unique journey that brought each of you together as a collective? What pivotal moments or experiences acted as turning points, helping you forge a strong bond and operate as a cohesive unit?


GS: No Kings started out as a rebrand of a separate project I’d created, but as the sound shifted, it became a fully different band altogether, with new members and a new name. When that happened, Syd, our bassist and the only other founding member of the band, joined. She’d previously been in the band I’d started years prior, and when we had the opportunity to work together, we jumped at it.


GS: From there, our guitarist Zach joined about a year later, who quickly became an integral part of the band and our sound, as well as swiftly becoming a close friend. Following that, our dear Felipe, the newest member with a penchant for jumping on unstable structures during performances, joined after seeing us play a show in 1720 in the middle of last year. Then we hit the ground running, doing everything from shooting music videos in ice cold industrial warehouses to playing shows in 114-degree weather. That’s left us where we are now, a group of friends playing shows, making music, and making the worst jokes you’ll probably ever hear along the way.


AA:  Additionally, I would love to hear about the inspiration behind your band’s name, “No Kings.” What led you to choose this name, and what meaning does it carry for each of you as individuals as well as for the group as a whole?


GS: Initially, I presented it to the band as the concept of not letting anyone or anything rule your life, that it’s up to us to take care of ourselves and our communities, because the people in power couldn’t seem to care less. Since so many of our songs deal with either socio-political issues or emotional turmoil and growth, it felt extremely fitting.


GS: It was also an accidental reference to Bioshock - I originally wrote down the title years ago when one of my best friends was playing Bioshock Infinite after I lent it to her. In one of the first scenes, there’s a banner that says “No Gods, No Kings, Only Man” or something like that, and for some reason, that middle part really stuck with me. Not enough for me to remember it was from Bioshock originally somehow though, apparently.


AA: How do you find inspiration for your lyrics, and what does it feel like to perform your creations in front of an audience?


GS: Usually, it’s lived experience, whether it’s mine or someone close to me. Often I try to channel it through a unique imagery, like the dystopian violence of our song Red, or some type of literature, like the Faustian picture painted in our song Mephistopheles. I always elect to have the lyrics come from a place of personal honesty, even if it’s channeled through a drastically different aesthetic.


AA:  I am genuinely excited to dive deeper into the music your band has released so far. Each single you've put out tells a unique story, and I'm particularly interested in understanding the motivations and experiences that inspired them. I would love for you to explore your relationship with each track in-depth, including the creative process behind them, the emotions they evoke, and any personal anecdotes that influenced their development.


GS: I’m not sure when this interview is coming out, but at this point, I believe our sole single from the new release is Sisyphus, which is an unique song in the sense that it was written over two years ago, in a writing format I rarely utilize these days. Normally now I write the lyrics and a chord progression together and build a song around that as a uniform piece, but Sisyphus was a way different story. I wrote the instrumental as a love letter to some of my favorite bands growing up, bands like Killswitch Engage, Atreyu, In Flames, and Trivium. The lyrics I wrote completely separately, but as I was forming the melody for the song, I realized that the rhythmic cadence of the lyrics matched what would be the first draft of the song. Then everything was tightened in the recording process, and here we are today, with a full song.


GS: It’s a song that’s ultimately about two things, recognizing that the only decisions you can make are your own, and that no matter how much you care about someone, their choices are theirs to make.


GS: It’s about a friend who thinks the worst of themselves, so they continue to put themselves in the worst possible position, because they think it’s what they deserve. Try as you will with someone like that, and they’re still only going to make changes when they’re ready to. Though that sounds pretty dark, it’s very much a song that’s meant to highlight that no matter how dark it gets in life, you always have the choice to try to turn it around, that people care about you, and that you can get through whatever you’re going through.



AA: What is it like to be your band's lead vocalist, primary songwriter, and booking agent?


GS: Busy! Very busy. But that’s something I take pride in. I’d always rather be busy than bored, if given the option. I’m literally always writing songs and bouncing ideas off the guys, and they’re such good sports about it.


GS: Booking as a DIY Metalcore act is odd, because some people are so excited to work with you because of their love of the scene, and some won’t give you the time of day because you don’t have 100,000 monthly listeners - but it’s always worth it, because playing shows with your friends and engaging with the awesome community is one of the best parts of the human experience.


AA: Could you share your experiences and challenges in balancing these three roles?


GS: Being the lead singer and songwriter is a very easy balance, but booking and management requires me to access a separate part of my brain, so switching into that mode is a fair bit harder. 2024 was easier on me because we elected to take the year to focus on recording our new release and play less shows, but now that we’re in a new year, with releases having already begun, and a handful of shows already booked, balancing becomes harder. The nice thing is that I know that all of it leads to the something I love, so I make it work.


GS: That, and I’m so thankful to my bandmates for handling other avenues of what we do - Syd handles merch and is stellar at it, Zach maintains so much of our live stuff, from tones to cable management, and Felipe is always trying to find business opportunities like endorsements or partnerships.


AA: What three standout qualities make you truly exceptional as a singer?


GS: Normally I try to stay pretty humble about that kind of stuff, because I think there’s a lot of amazing talent out there, and I’d rather lift people up with my commentary than talk about my own talent. That being said, I can definitely say I’m proud of the fluidity between singing and screaming vocals, the distortion and power I’m able to add to my singing, and my range, which I constantly work to maintain control of and grow to its full potential.


AA: I would like to explore the behind-the-scenes elements of the production process in greater depth. Specifically, what vocal techniques and innovations did you integrate to elevate the overall auditory experience of each song?


GS: I don’t think there were necessarily any “innovations” to what we did, it was just a combination of using high quality gear and working with a producer we trust to get the best out of everybody in the band, myself included. Besides that, I double track all of my lead vocals as tight as possible, which is pretty standard in Rock and Metal, and I track additional octaves and harmonies for vocal parts wherever we feel they’ll benefit the song - sometimes that means they’re barely in a song at all, and sometimes that means almost an entire song has harmonies.


GS: I’m a quality over quantity guy. If you can’t give a solid performance of a well written vocal, adding a billion layers really isn’t going to help.


AA: When evaluating the vocal aspect of a song, beyond just performing the lyrics, what particular technical skills must you employ with your voice to attain the intended sound in the final version?


GS: That’s hyper specific to the type of vocal and how it fits into the greater arrangement, so it’s kind of hard to answer that without specifics. In general, though, you always want to make sure that you’re relatively even in terms of volume when possible, so tools like vocal compression are integral. Not hardware compression, which it often gets confused with when I mention this stuff, but rather your own regulation of your volume and power when vocalizing. Obviously, there’s also tone placement - you don’t want to belt the quiet part or fry scream the mixed voice part by accident.


GS: Ultimately, if you’re a vocalist, you have to be hyper aware of your body and energy, as that is your instrument.


AA: Can you recall the details of your very first live performance?


GS: Honestly, no - I think it was maybe in elementary school as part of a class thing? Possibly middle school? Nothing all that exciting, I think it might’ve been for a fundraiser for the public school I was going to.


AA: Describe the setting, the crowd’s energy, and the anticipation leading up to that moment.


GS: I would if I could, but I barely remember it. I got into music and theater and the arts in like 7th grade, which was definitely after whenever my first time on stage was. Perhaps a bit of a letdown, but I’d rather be honest, you know?


AA: What were your thoughts and feelings as you stepped onto the stage, and how did it impact you both during the performance and afterward?


GS: Knowing me at that point in my life, I was probably thinking about food, as most of those school events had free food of some sort after the main event. I can’t say that the first performance had a big influence on me - but I know that I was on air during a telethon in like 5th grade cracking jokes, and I got the host to break down laughing from one, so that was pretty rad.


AA: Please tell us about any upcoming projects, tours, or collaborations you look forward to. I'm eager to hear what you're most excited about and any details you can share about these initiatives!


GS: Happy to! We’ve got 6 more songs that’ll be coming out this year, ranging from the heaviest Metalcore track we’ve ever written to our first attempt at a softer song, and everything in between. Outside of that, I can’t talk about tour specifics just yet, but I can say we’ll be playing regionally a lot more this year, including our first time in the bay area, which I’m incredibly excited for.


AA: If you were presented with the incredible opportunity to open for any band or embark on a world tour, which bands would you choose to join on this exciting journey, and what specific reasons drive your passion for touring alongside them?


GS: That’s a list that could easily be hours long, but my top 10 would probably be Avenged Sevenfold, Killswitch Engage, Alexisonfire, Mastodon, Bring Me The Horizon, Trivium, Bullet For My Valentine, Cane Hill, Beartooth, and Gojira. With bands like Spiritbox, Breaking Benjamin, Malevolence, and In Flames right behind them. All those bands had a massive influence on the new music we’re releasing, as well as most of them influencing me a lot from childhood onward. Without them, No Kings wouldn’t exist in its current form, so opening for any of those bands, learning from them and showing our gratitude, would be such a huge honor.


AA:  What are some of your all-time favorite songs to perform live, and what makes them so special for you?


GS: Right now, probably Sisyphus because it’s the newest and people seem to be enjoying it a lot, Red because it’s the heaviest and gets people moshing, and Rusted because it’s the one that people sometimes know the lyrics to, and seeing people sing along to your song is one of the coolest things ever.


AA: Can you share a funny or interesting behind-the-scenes moment from a music video shoot or recording session?


GS: In the pre-production demo of one of our new songs, there was a dog barking in the background of a vocal take, and Syd got so used to it, that when she heard back the final mix, she was convinced something was missing for 3 days, and didn’t approve the mix until she realized that was why.


Image by Katherine Seibert of Curious Kat Photography


AA: Can you share a funny or embarrassing moment from a live performance that stands out in your memory? Perhaps a time when something unexpected happened on stage or a slip of the tongue turned into a hilarious moment? I would love to hear about the atmosphere, the audience's reaction, and how you or the performers handled the situation!


GS: In our first show of 2025, I slipped on a random wrench on stage and Zach’s pickup fell out of his guitar midway through a song within 5 minutes of each other, that was pretty wild. The audience laughed it off with us and we got right back on with the performance. These things happen, it’s part of life!


AA: If you could collaborate with any musician, dead or alive, who would it be and why?


GS: Probably the Rev from Avenged Sevenfold, as he and Billie Joe Armstrong were the two people who inspired to start writing songs. A chance to work with and learn from him would be game changing.


AA: Can you advise musicians on dealing with rejection or setbacks in their careers?


GS: Sure - I think the simplest way to put it is that if you give up now, when things are bad, that’s it, you’ll never see the good part, there’s no chance for it to get better. But if you keep going, things can only get better, because now you know better, and you have an even better idea of what you need to do to get to where you want to be.


GS: The bad makes you appreciate the good. Life is a complex journey, enjoy the ride when you can - allow yourself to feel the bad emotions, but don’t let them control you.


AA: Share three individuals who have significantly influenced your life, positively or negatively, and explain why.


GS: Well, AJ Minette, my college guitar professor, laid the foundation for my success in what I love by teaching me proper technique for guitar, the foundational principles of composition, and the basics of recording and mixing music. I owe him so much and I can’t thank him enough.


GS: Brendan Collins too, the producer for our new release, he’s a close friend, but he never lets that cloud his opinions or keep him from unadulterated honesty on everything we worked on. He firmly believed in my potential and held me to the highest standard as a vocalist and songwriter, and for that I am so grateful. Oh, and he was also one of AJ’s students - years before I was, but still crazy to think about.


GS: Oh, and Syd. Being in a band with one of your closest friends who accepts you on your best and worst days is something I am so so grateful for. That goes for all the dudes in my band, but she’s been there since day 1, so I gotta give her special props for that.


AA: What are your favorite movies, and why are they significant for you? Is it the story, the characters, the visuals, or something else that resonates with you?


GS: It changes a lot, but growing up it was Jurassic Park, Wayne’s World, and stuff like Van Helsing or Underworld. I’ve always been a fan of unique concepts, dark aesthetics, and layered humor. These days I love stuff like What We Do in The Shadows, Tucker and Dale vs Evil, The Unbearable Weight of Massive Talent, or Werewolves Within - I love absurd concepts and horror comedies because they make you question the absurdity of life in between laughter, and you often end up thinking deeply in a way that still leaves a smile on your face.


AA: Which TV shows do you look forward to watching? What captures your attention in these shows—perhaps the surprises, character development, or the overall quality of production?


GS: Oh man, there’s a lot - whenever I do vocal and guitar practice, which is most days, I usually have something on in the background, sometimes new, sometimes old. As of now, What We Do In The Shadows - the show, Demon Slayer, Supernatural, Hell’s Paradise, Castlevania: Nocturne, Wednesday, Preacher, Evil, Dad Da Dan, Make Some Noise, Gamechanger, Delicious In Dungeon, Doctor Who, Aunty Donna’s Big Ol’ House of Fun, any of the Channel 5 stuff, AP Bio, Invincible, and The Boys. Stuff like Gamechanger and Make Some Noise are definitely intriguing for the surprise and production quality, but I enjoy how all of the shows I mentioned examine the human experience, whether that’s through the lens of comedy, adventure, absurdity, fantasy, or otherwise. That and I’m a sucker for good character development too, I suppose.


AA: What books do you enjoy the most, and what makes them special to you? Is it the writing style, the themes they explore, or the emotions they evoke?


GS: I’m currently reading Joe Trohman from Fall Out Boy’s book, which has been cool! I tend to read more business books than books for pleasure in the past few years, but “None Of This Rocks”, Trohman’s book, has been a welcome departure from that. I’ve always been a fan of candid honesty in storytelling, it’s relatable and you learn a lot from that, which I think is why I’m enjoying it so much.


AA: Which podcasts do you highly recommend and why? What sets these podcasts apart from others, in your opinion? Do they offer valuable insights, entertaining content, or something else that keeps you hooked?


GS: The Riffhard and Unstoppable Recording Machine podcasts with Eyal Levi are great if you want to learn about recording and songwriting from some of the best in Rock and Metal. I used to curate events for URM, and Eyal’s a good guy. Oh, and the Downbeat with Craig Reynolds! I love Stray From the Path, Craig’s band, and he’s easily one of the funniest people in music. It’s a goal of mine to be on both of those podcasts.


AA: I want to know about your favorite bands or music artists that you like. I’d also like to hear about your most memorable concert experience. Please share details about the atmosphere, the performance, the venue, and anything else that made it special for you.


GS: I’ve talked about a good chunk of them so far but I’ll spout off a bunch of my favorites: Killswitch Engage, Avenged Sevenfold, The Human Abstract, Adestria, Alexisonfire, Bring Me The Horizon, Green Day, Alkaline Trio, Bad Religion, Bleed From Within, Mastodon, Three Days Grace, My Chemical Romance, Issues, Trivium, Architects, Paleface Swiss, Parkway Drive, Bullet For My Valentine, Cane Hill, System of a Down, Dragged Under, Beartooth, and Gojira, Khemmis, Spiritbox, Dying Wish, Spiritbox, Thrice, Breaking Benjamin, Alice In Chains, Malevolence, Sylosis, Bilmuri, In Flames, Fall Out Boy, and Loathe.


GS: Man, that was a lot, but I like a lot of bands. But, as you can probably tell, it’s very much Punk, Metal, and Metalcore for the most part.


GS: As for my most memorable concert experiences, the first time I got to pick a show, I saw Green day, when I was like 11, and that was life altering, even if it was a huge amphitheater show. I was with my family, and I quickly realized that I loved shows more than most things. Otherwise, seeing Avenged Sevenfold pretty soon after The Rev died - that was such a viscerally heavy show. Not musically heavy, but more in the sense that you could tell everybody there was mourning an icon. It was the first time I’d seen a concert be cathartic for so many people.


AA: What does success look like to you?


GS: Success looks like being able to make comfortable money solely from music, No Kings being at a point financially where we can consistently make music and tour how we see fit, and where our message of catharsis and community are spread far and wide to the people who need to hear it.


GS: Oh, and playing some DWP festivals and Download. Those are more bucket list items for me though.


AA: How do you define happiness in your own life?


GS: I don’t, I try to embody it. Taking too much time to define an emotion tends to lead to an endless cycle of overanalysis for me


AA: Can you take some time to reflect on your personal experiences with mental health?


GS: Sure, my approach has always been introspection and therapy, when I can manage that. I think of therapy more like the equivalent of a personal trainer for your mental health, so I go when I can fiscally manage to. In that time, I’ve tackled issues like anxiety and past trauma, and I highly recommend taking that route if you’re able - we all struggle, whether we like to admit it or not.


GS: Having music as an outlet obviously helps quite a lot with any mental health struggles too.


AA: Consider how these experiences have impacted different areas of your life, such as relationships, work, and personal growth. What specific insights have you gathered through these moments?


GS: It all works out, one way or another.


AA: Additionally, how have you managed the challenges you face with mental health? Share any strategies, coping mechanisms, or support systems that have played a role in your journey.


GS: Like I said earlier, introspection and therapy - being honest with yourself and your loved ones is really the only way forward.


AA: What insights would you share with others your age who are grappling with mental health challenges?


GS: If you’re approaching 30 and struggling with mental health, there’s no day like today to address it. The best way to start healing is to, well, start. Otherwise, it’s going to be more of the same until you start working on yourself.


AA: What hobbies or pastimes do you find particularly enjoyable when you’re not immersed in your music? Are there specific activities that allow you to unwind and express yourself differently?


GS: I livestream on Tiktok, I livestream on Twitch with my dear friend Reed Sights, I’m a huge coffee guy, I go to a lot of shows - concerts, comedy shows, and plenty of other stuff. That and I like finding new spots for food or drinks with friends when I have the time. I pretty much always wind down with my dog, sometimes playing acoustic, usually by watching TV or a movie though.


AA: What message would you share with everyone if you had the world's attention for five minutes?"


GS: We’re all in this together, we might as well learn to act like it. Take care of yourself, and take care of your community. If we all did that, we could be in a much better spot than we are now. That, and go listen to my band No Kings please. I hear we’re pretty cool, apparently.


AA: We appreciate Geordy Shallan from No Kings for kindly sharing him story and interests with us.


Image by Katherine Seibert of Curious Kat Photography.



Please access the Beacons link below to find detailed information about No Kings and Geordy Shallan.




*** All images are by Katherine Seibert of Curious Kat Photography and, unless specified otherwise **






 
 
 


I recently facilitated a Q&A session with Ravi Gandhi, the creator of "Red Pill Rhymes." We discussed his artistic journey, pivotal moments in embracing poetry, and his experiences as a writer, including challenges and triumphs. Ravi also shared insights into his personal interests and hobbies, highlighting the influences on his work. I hope you find this conversation as enlightening and inspiring as I did.


AA: Please share your background with us. I'd love to learn about where you're from, your upbringing, and how your cultural heritage has influenced who you are today. Also, what significant life experiences have played a crucial role in shaping your identity?


RG: I was born and raised in a small town in Ontario Canada to East Indian immigrants parents. I attended elementary school as an ESL student, as my parents only spoke Gujarati at home. This experience of having to assimilate and make friends with a language barrier was important. It may have even been my first initial appreciation of language. In fact, it’s one of the reasons I am a teacher now, because of all the hard work educators put into teaching me English. I always share this story with my own students and show them a picture of me in Grade 1 with my tiny ESL group, children of all backgrounds. This gives our many new to the country students hope, and a

role model for future success.


AA: Could you share more about the specific type of educator you are? For instance, do you specialize in a particular subject area, such as


RG: I teach grade 5 language. Normally I would teach all subjects but have taken half time to pursue writing a bit more. I have taught Grades 2 all the way to 7 in my career, but for the past few years it’s been Grade 4 and 5 mainly.


AA: I remember you mentioning your role as an educator, and I’m intrigued by your journey. I would love to hear more about your experiences and what has shaped your path in education.


RG: I think being an average student, with ups and downs, including some really terrible marks in specific subjects in high school that make me cringe, it gives me better perspective on students. Those students that perhaps struggle in certain areas, I can absolutely relate to them a bit better because of my own struggles. I kind of fell into teaching after volunteering at a local school, and being excited about the creativity within lessons. To be able to get kids enthusiastic about learning in unique ways appealed to me.


AA: How does poetry contribute to the educational experience you offer your students? In what ways do you incorporate poetic forms, techniques, and themes into your teaching methods to enhance their learning and creativity? How do you believe engaging with poetry can influence their critical thinking, emotional expression, and appreciation for language? Would you share examples of specific activities or discussions that highlight the impact of poetry in your classroom?


RG: I truly love teaching poetry to my students every year. What’s interesting is that so many of them have really no prior experience with it than maybe the previous grade. So when I introduce someone like Shel Silverstein, many have no idea who he is. I grew up reading Shel Silverstein and so it’s such a joy to bring his work into the classroom. Once I show them poetry doesn’t have to be about roses, or sound so robotic, that you can be silly and slightly dark with the words, they really get into it. Also helping them understand that singing, spoken word, and hip hop are also forms of poetry, opens their mind to possibilities.


AA: Now: What specific experiences or pivotal moments ignited your passion for becoming a writer, and how did that journey evolve into writing poetry? Were there particular events that left a profound impact on you, overwhelming emotions that you felt were difficult to express, or influential individuals, such as mentors or fellow artists, who significantly shaped your path as a poet? I would love to hear about the moments or encounters that first captivated you about this art form and inspired you to explore its depths.


RG: Most times, when we look back on how we arrived at this juncture or path, it’s either an experience or a relationship to someone, or a combination of both, that alters trajectory. For me, it was about 8 years ago now, where my life was full of anxiety and depression. Life came to crashing halt when at one point I had lost 40lbs over the course of a few months and couldn’t sleep for 3-4 days in a row. I curled up into a ball in my house and had no hope.


RG: Somehow, I had found the will to get up and start finding answers beyond prescriptions or temporary fixes. With a combination of taking time off work, understanding root causes and using personalized functional medicine, I realized one key thing that was missing in my life was my writing. Which I had abandoned for decades because of the daily hustle and bustle of life. I had written as a child often, short stories and even just definitions of words from the dictionary, but I suppose I found new hobbies and such, not realizing writing itself was not just a hobby, it was my livelihood. This was the self-realization I had over the course of a few years on my path to self-healing.


AA: Additionally, how have these influences evolved, and in what ways has poetry not only become a vital part of your creative expression but also an outlet for your thoughts and feelings? What changes have you noticed in your writing style or themes as you grew and matured as a poet?


RG: My writing had certainly evolved. When I first started back to it during my adulthood, I quite enjoyed short stories and prose. Ironically, I never really enjoyed poetry. I found it fragmented and fractured, and didn’t understand it. Once social media took off, I was reading Insta poetry and scoffing. Mainly out of jealousy that no one was reading my blogs or longer form writing, they were choosing these snippet bits of emotion posted online. So I started writing insta poetry almost out of spite. When I first joined Instagram, I was writing witty and playful word poems almost half joking about the artform. This got some traction, and I quickly I had something. I continued writing and eventually, the themes evolved to satire, politics, heartbreak, mental health, etc. Stuff I really just needed to get off my chest and express. Once I started reading some of the greatest poets of all time, like Frost, Rilke, Mary Oliver, Whitman, etc, my writing took another turn. These writers really did feed my soul, and so I went deeper personally, and in my writing.


AA: How do you typically start the process of writing a poem? Do you have a specific routine or method that you follow? You begin with a particular theme or emotion or draw inspiration from nature, a personal experience, or even a line of dialogue you overheard. Do you find yourself jotting down random thoughts or images before shaping them into a structured form? Additionally, do you have any favorite techniques or prompts that spark your creativity at the outset?


RG: I have a notebook beside my bed but find myself jotting notes or texting myself words all the time when inspiration strikes. This could be something I think about on a car ride, or after reading a piece of writing that really makes me take pause. I start writing poems at 5am in the morning until about 7am. This is the closest people will get to dream state, and for, the best time for creativity. Once I made the shift to become a 5am writer, the words have continued to pour out ever since. It’s quiet, no devices, the world is asleep so to speak. I never ever throw any pieces out. Sometimes I circle back to poems that at the time, just didn’t work for me, only to finish and expand upon later.



AA: I would love to hear about some of your favorite poems that you've written. What themes or emotions do they explore, and what inspired you to create them?


RG: It’s hard to say which is my favorite. I’m constantly learning and shifting. We all are. And the poems represent a certain moment in time. I suppose I really enjoyed a poem called ‘Everything in Between’. I take pride in writing pieces that don’t sound like other authors. I wanted to write a love poem that didn’t sound like a love poem from that traditional sense. The overly mushy over the top writing that sure some people enjoy, but other’s get repulsed by. So in this particular write, a man is looking out onto a beach and just seeing the ugliness humanity, in everything. The food the people are eating, the consumerism, etc. But it speaks to the wild thoughts the person has that he thinks the worst things about anything and everything. Nightmarish in a way. Only to be interrupted at the end by his love, who kind of nudges him from this daydream on the beach. He looks into her eyes and realizes her happiness is all that matters. But it reslly highlights my own struggles of anxiety and overthinking, and where a mind can wander. All those tiny moments. So again, it may not sound like a love poem while reading it, but by the end, and I love twist endings, the reader realizes it is. Even with all the madness of the world, that one person and love supersede all.




AA: What inspired the concept of a "truth seeker," and how does this idea translate into the creation of thoughtful and evocative poetry? I’m curious about the process of exploration and discovery behind these poems and how the pursuit of truth influences the themes, emotions, and imagery woven throughout the verses.


RG: Over the past 5-6 years our world has gone through some wild changes. One of the biggest changes that I found extremely detrimental was an attack on our free speech in Canada. Laws and actions were put into place during pandemic that really highlighted government overreach. I wanted to write a book that would serve as a beacon of hope against such tyranny. But truth seeker goes beyond just what is being hidden in our society, it’s about finding true purpose and soul. So while Red Pill Rhymes does touch upon some politics, government, dystopian themes. It does have an underlying messaging of searching within, and of hope.


AA: What is the book "Red Pill Rhymes"? What is it about, and what can readers expect from it?


RG: Red Pill Rhymes is a collection of poems and rhyming stories that takes the reader down a journey through the inner workings of the mind and soul, eventually arriving at a truth and awakening about themselves and the world. It is the shedding of identity, and self-realization of how to overcome challenges, while blowing the lid off our own perceived realities. Very honest in its tone, Red Pill Rhymes touches upon topics such as anxiety, trauma, spirituality, politics, creativity, government, media, and much more. It ultimately asks of the reader one key question...'are you awake?





AA: How do you think poetry nurtures impactful dialogues across diverse cultures? In what ways does it serve as a powerful catalyst for confronting urgent social issues, amplifying the voices of those often marginalized, and igniting essential conversations?


RG: I think art unites us all, and so poetry is simply another leaf on the same branch or tree of humanity. Much like music, or painting, poetry too acts as a bridge for us to get to learning more about ourselves and others on a deeper level. Past the level surface and skin.


AA: I have an exciting challenge for you! I’m going to give you two words: “hawk” and "obedience." Your task is to create a poem inspired by each word. Let your creativity shine and have fun!


RG: On a branched resting place, lies an ease in the storms of unknown, wings wet so i preen them. scanning, anticipating prospects in the medium- wanderers don’t test gale winds for immediate. so i wait, for visions within my third eye median. stillness will not be mistaken for dull or tedious, nor my self-control, as some form of obedience. for just like patience, is part of a falcon’s genius, discipline can be both foresighted and expedient. peregrinus


AA: What valuable insights, tips, or inspiration would you offer fellow poets and writers looking to enhance their craft and find their unique voice?


RG: Read. Read, and read, and read. When you’re done, read more. My writing really elevated after I read the greats. This includes writers not even in the genre like Orwell, Chiang, Murakami.


AA: What is your perspective on the belief that poetry represents a true form of artistic expression? In what ways does the intricate use of language, rhythm, and imagery in poetry elevate it to an art form? How does poetry move us, evoke deep feelings, or capture the complexities of human experience and thought, allowing us to connect with the essence of life itself?


RG: I firmly believe poetry is just one other way to listen and speak to your soul, or something beyond. The rhythm and imagery is like meditation. It doesn’t matter what the theme or topic is in, we have an innate calling to express. And writing is one of those ways. I think this is why people appreciate it. Readers will understand that the author is tapping into something extremely personal and perhaps even divine.


AA: What valuable advice would you offer to someone who is just beginning their journey into the world of poetry? Are there particular techniques, inspirations, or resources that you think would help nurture their creativity and refine their skills as they explore this expressive art form?


RG: I do highly recommend being consistent when writing. Daily practice. Some writers prefer late at night, I like the mornings. But either way, write every single day. Beyond reading regularly, I would also jump on social media and make some friends. There’s always little contests you can enter that are free online. Instagram does have a lot of poetry accounts that have prompt contests, and that’s an easy way to challenge yourself as a writer but also get some exposure.


AA: When it comes to movies, what are some of your all-time favorites? What is it about these particular movies that resonate with you? Is it the storytelling, the characters, the cinematography, or something else?


RG: Film has a large influence in my writing. Some of my favorites are The Matrix, Fight Club, and Interstellar. I like all of these films because they challenge perception and beliefs. Not only that, they challenge the viewer and command attention. These films have deep meaning, and really do lend to watching multiple times. I want my writing to have those layers, where a reader can interpret the poem multiple ways after reading it a few times.


AA: As you reflect on your journey as a poet, which of your poetic creations fills you with the most pride, and what makes it stand out for you?


RG: The poetic creations that fulfill me the most are poems that show my own evolution as a human.


AA:  Regarding books, which ones are at the top of your list? What makes these books stand out to you? Is it the writing style, the themes, or the emotions they evoke?

 

RG: This list is constantly changing. Like week to week. Last week I swear my favorite book was Mary Oliver’s American Primitive, and now I’m all about that Robert Frost life. A month ago it was it might have been Rilke’s Book of Hours, and before that The Prophet. As for novels, I think Fahrenheit 451 still is on tops for me. It’s such a wide array of themes and emotions felt in all of these books, from fear all the way to the peace felt from God.


AA: I'm interested in learning about your favorite bands or music artists that you're passionate about. Additionally, I'd love to hear all the details about your most memorable concert experience - the atmosphere, the performance, the venue, and anything else that made it special for you.


RG: Some of my favorite bands are Radiohead, Sigur Ros, and Odesza. I’ve been lucky enough to see all of them live. The Radiohead concert was especially wonderful because I wasn’t sure if they would ever come back to Canada again, and it had been a decade or so since they last performed here. All these bands have such an interesting sound. Sigur Ros is an Icelandic band, and while I have no idea what they’re saying, it doesn’t matter. We talk about how poetry transcends, so does music. I can feel something that stirs me when listening to these bands.


AA: What are some activities you enjoy doing in your free time?


RG: When I’m not writing, I love getting into nature, walking, jogging, working out, and being in community.


AA: We appreciate poet Ravi Gandhi for kindly sharing his story and interests with us.



Poet and Educator: Ravi Gandhi
Poet and Educator: Ravi Gandhi

Please access the Linktree below to find detailed information about poet Ravi Gandhi




*** All images are by Ravi Gandhi, unless specified otherwise **




 
 
 

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