Behind the Music: An Exclusive Interview with Singer Magdalene Rose

I had the opportunity to connect with musician Magdalene Rose, exploring her musical journey and personal passions. I believe you will find the conversation both informative and engaging.

AA: Where are you from? Please tell us your origin story.

MR: I am originally from Jacksonville, Florida! I lived in Jacksonville until just recently. I moved to Nashville, Tennessee this year because I got married!

AA: How did you first become interested in music, and when did you start playing your instrument or singing?

MR: My parents were big advocates of learning multiple skills as children. I first started taking piano lessons at 5 years old. If I hated it, they told me I could quit, but they wanted me to at least try new things out. I really liked being able to play songs (even though I wasn’t the biggest fan of practicing haha), so I stuck with piano until I turned 8. By that point, my two sisters had also been learning piano, but they were wanting to try different instruments. My dad thought it would be fun if we had our own cover band, so they asked me if I would learn how to play bass guitar. I juggled both for a little bit before fully transitioning to bass guitar. We all grew up singing for school and choir, and so that naturally transferred over to the band as well!

AA: What sparked your passion for embarking on your musical journey?

MR: When I was 11, my sisters and I played our very first real show that wasn’t at school or at an open mic night. Our parents had to drive us all the way to Georgia to a small venue with people we had never met, but I knew at that moment that I wanted to travel and do music for the rest of my life. I would later find out that that was called touring haha.

AA: What musical influences inspired you to pursue music?

MR: At the beginning, Skillet and We As Human were the bands I wanted to be. They were the first rock bands I listened to on my own, and my parents would take me to as many of their concerts as we could find. Then I found a band called Flyleaf, and that changed the game for me. I didn’t know that screaming could even be in music, and when I found out a girl could do it, I was even more shocked.

AA: What’s the story behind the name of your band or stage name?

MR: My artist name is Magdalene Rose, and it is actually just my real name!

AA: I'd love to hear about your creative process and where you find inspiration for writing lyrics.

MR: I write music about what I have been through in life. Sometimes my friends also give me permission to write about their struggles in life. I like giving people voices and being honest about what I’ve struggled with because it helps people know they aren’t alone. I want to let people know that healing is possible, and hope is real!

AA: Can you tell me more about your brand new song, "Teeth Eater," as well as your previous songs, "A Bad Residential" and "Shark Spray"? What inspired them, and what message are you trying to convey?

MR: I wrote “Teeth Eater” because a few years ago, I was struggling with an eating disorder called anorexia. Body dysmorphia was lying to me and telling me I needed to starve myself in order to be beautiful. I didn’t understand how serious it was until my dad helped me understand that I was literally killing myself. He wanted to understand what I was going through and help me get better, and so he worked with me to gain healthy weight back and fix my relationship with food. For a while though, I still hated what I saw in my reflection, and I realized I was missing the most important part of healing. I asked God to give me the want to heal because I was honestly scared of letting my disorder go. It had become my identity, and I was scared of what I would be and look like if I actually healed. But that’s when true healing happened, and I have Jesus to thank for that.

MR: “Shark Spray” was the first song I released as Magdalene Rose. At the time, my sisters and I had just decided to take a break from our band (GFM) because we all felt we were being called out of the band to do other things. I was dealing with a lot of confusion, and I was grieving the loss of what I thought was my forever job. I wasn’t seeing my family as often because I was now touring without them, and there was a lot of pain that came along with that. I was also scared that people wouldn’t like me outside of GFM. But I had gotten to a point where I wanted to be over being “broken” and letting that rule my life. So “Shark Spray” was kind of a statement to myself and to anyone who might speak down on me that I was here to stay, and that I wasn’t going to let their negativity, or my own negativity, have a say over what I did with my life.

MR: After a few months of touring as Magdalene Rose, I started to struggle with really awful night terrors. It wasn’t just bad dreams or nightmares because I’d had those, and this was different. I was seeing the most graphic, terrifying things in my sleep, and I would wake up out of breath, not knowing if what I just witnessed was real or not. It got so bad that I was scared to even go back to my bunk because I knew the second, I fell asleep, I would have a night terror. This lasted roughly 6 months, so I was becoming paranoid and sleep deprived, and it was wreaking havoc on my relationships. I was trying everything to get rid of them: listening to calming music, listening to rain sounds, listening to worship music. The only thing that would keep the night terrors away was when I would listen to church sermons, but I knew my headphones had died or when the sermon was over because I’d be woken up by a night terror. We were still touring throughout all of this, and at a show, I was approached by a lady who had been to several of my shows. She asked how I was, and I felt like I was supposed to let her in on how I had actually been doing. When she heard everything, she immediately asked if she could pray over me and prayed against demonic oppression and fear. That was the first night I was able to sleep, and I haven’t struggled with night terrors since. We wrote “A Bad Residential” about that time in my life and have been able to have so many awesome conversations with people who also struggle with night terrors from PTSD or other causes.

AA: How would you describe your music to someone who has never heard it?

MR: If you have ever heard of Paramore, picture that band with an additional vocalist who screams haha. We like to blend the heaviness of rock with the melodies of pop music!

AA: Do you prefer to have a unifying theme or concept when working on a new album or project?

MR: I don’t always do concept albums, but I do like my songs to have a cohesive idea running through them. Even if every song is about something different, I like for them to all fit together somehow!

AA: Can you tell us more about the inspiration behind your album artwork for Teeth Eater or any previous songs for which you've designed album art?

MR: When you struggle with anorexia, your body starts to shut down and eat itself to gain some sort of nutrients. The teeth are one of the first things to start rotting away, and you essentially become a “Teeth Eater.” We wanted the artwork to help convey that understanding, and that’s why teeth were such a big part of the promotion of the song as well.

AA: What advice would you give aspiring musicians looking to enter the music scene?

MR: Make valuable relationships! Don’t use people just to “climb up the ladder” because most people can see through that, and they won’t want to help or get to know you. Genuinely invest in people, and they will do the same for you.

AA: How do non-musical influences, like literature, film, or visual art, shape your work?

MR: I think it influences the performance more than anything! From my stage outfits to the LED wall visuals, to promotional content and merch, you can usually see a theme in my work. There’s a bit of the goth aesthetic, and I get told a lot that I look like either a Monster High doll or Wednesday Addams haha. We draw inspiration from anime and video games, and even tiktok trends make our stage performance what it is today!

AA: How do people perceive you when they discover you are a Christian and perform rock music?

MR: I do get a little bit of pushback from the Christian community because sometimes they don’t understand what I do. Thankfully, I work with a lot of great churches who are willing to support me and bring me in to play shows and defend me. I’m also able to do the crossover thing and play general market venues as well, and I’ve worked with a lot of super sweet people. Even if venues or bands don’t have the same beliefs I do, they never make me feel weird for talking about God, and they always are very respectful toward me. I think a lot of people tend to adopt me as a little sister when we go on tour, and so no matter their background, they want to make sure nobody is being mean to me haha.

AA: What is the meaning of life to you?

MR: As a Christian, I think life is a beautiful thing. By following God, the stress of the “American dream” is no longer necessary, and I am free to create and take care of a family and not worry about chasing fame or chasing money. It is my role to help people, to be selfless and to share with people who God is and what He’s done in my life in a way that doesn’t shove it down their throats.

AA: What does success mean to you?

MR: I would say someone is successful when they find themselves surrounded by people who truly love them; who will fight through the hard times and celebrate the good times no matter what.

AA: What's your definition of happiness?"

MR: Happiness again I think is tied to the support and people you have in your life. When you find your place in life, working doesn’t feel like working, and the hard times are worth fighting through.

AA: What travel opportunities have you had since you started your music career? And what are some of your favorite states to travel to or perform in?

MR: I have played in almost all 50 states in the U.S.! I’ve also played a couple of times in Germany and Canada, and I’m hoping I get to do a lot more international traveling soon.

It’s hard to pick a favorite place because each state/country/venue has something that makes them special!

AA: If you were allowed to perform on stage with any other artist, who would you want to perform with and why?"

MR: I think it would be so cool to perform on stage with a band called Bring Me The Horizon or with Flyleaf and Lacey Sturm. Those bands have influenced my songwriting, stage performance, and stage visuals, and it would be such a full circle moment for me to perform alongside them.

AA: What are some activities you really enjoy doing in your free time?

MR: Some things I like to do are reading, playing video games, and cooking! When we’re home, I don’t go out as much because it’s really nice to be able to stay in and be a homebody haha.

AA: Can you tell us a little bit about your personal experience with mental health and how it has impacted your life?

MR: I’ve battled with major depressive disorder and anxiety for a long time. I was medicated for a few years, but I can thankfully say that I no longer have to take it. I think struggling with my mental health has helped me be empathetic with people who are also struggling, and I think it’s part of the reason I want to help others so much. I don’t want anyone to have to experience what I have, and if I can offer any advice that can save them from those experiences or lower the effects of those experiences, I want to do so. I also was able to get my master's degree in crisis counseling because I wanted to understand other disorders better, and I wanted to have more skills to help.

AA: When it comes to movies, what are some of your all-time favorites? What is it about these particular movies that resonate with you? Is it the storytelling, the characters, the cinematography, or something else?

MR: I’m kind of all over the place when it comes to movies haha! I love superhero movies because of how “bigger than life” they are, but I also really love movies like Alien and A Quiet Place because I’m a sci-fi nerd, and I like monsters haha. Another kind of random one is the movie 10 Things I Hate About You, and I love this movie because it’s such a heartwarming rom-com. I relate a lot to the main character, and the whole movie has such a genuine feel to it.

AA: As for TV shows, which ones do you find yourself eagerly tuning in to? What about these shows captivates you—could it be the plot twists, character development, or the overall production quality?

MR: I try to keep up with as many of the Marvel shows I can because I like learning how the stories from the shows tie into the comics. But I also love shows like The Vampire Diaries because it combines drama and sci-fi into one show. The characters annoy you to death, but you love them, so you keep coming back to the show even if they’ve done something incredibly stupid in the last episode hahaha!

AA: Regarding books, which ones are at the top of your list? What makes these books stand out to you? Is it the writing style, the themes, or the emotions they evoke?

MR: My all-time favorite book series are The Remnant Chronicles/Dance of Thieves Duology by Mary E Pearson and The Folk of the Air by Holly Black. I love my books to be set in fantasy worlds where people have to fight monsters and bad guys with swords and dragons. The stakes are high, the characters are intense, and those worlds are so distant from the modern world we live in, so the story pulls me in!

AA: What bands or artists do you love listening to? I would also love to know about your favorite concert experience!

MR: I like listening to all of the bands listed above, as well as bands like Neck Deep and Stand Atlantic! My music taste is a little bit all over the place, so there’s honestly not much I won’t listen to haha! My husband and I listen to a lot of music together with his brothers, so we’re always finding new artists!

MR: My favorite concert had to be when I saw A Day To Remember in 2018. They came to Florida, and my mom took me and my sisters to see them. I knew all the words, and they shot off confetti, they TP’d the crowd, they had filmed a bunch of other band members singing their songs on the LED wall, and kept the crowd involved the entire night. It was so cool.

AA: I am interested in learning about your experiences with video games. Do you currently play video games? If so, I would love to know which video game system you currently play on or grew up with. Additionally, I'm curious to hear about your favorite genres of video games to play. If you were given the opportunity to live in a video game world for 1 year, I would like to know which one you would choose and the reasons behind your choice.

MR: I do play video games! I grew up playing them with my dad, my sisters, and my cousins, and now I play them with my husband and his brothers too! We grew up playing on Xbox consoles, and now I play on both Xbox and Playstation, and I even got a laptop and am learning how to play on PC haha. Zombie games for sure have to be my favorite genre of video games, whether it’s a campaign-based zombie game or a round-based zombie game.

MR: I definitely would not want to live in a zombie world because I know that would be bad haha. Overwatch might be a fun world to live in because everyone has their own special abilities and can regenerate their lives! Minecraft might also be fun because you get to be an adventurer and an inventor too!

AA: "If you had the world's attention for five minutes, what message would you share with everyone?"

MR: Jesus is real, and He loves you. Your life is worth living, and healing is possible.

AA: Magdalene Rose, I appreciate you sharing a lot about yourself and your musical journey! I wish you the best of luck in all your future pursuits!

Magdalene Rose - Musician

To access all information about musician Magdalene Rose, please visit the link provided below:

https://linktr.ee/officialmagdalenerose

*** All photos and videos by Magdalene Rose, unless otherwise noted **

Unveiling the Musical Journey: An Inside Look at Guitarist and Founder of Angels on the Battlefield, JD McGibney

Recently, I had the opportunity to engage in a conversation with JD McGibney, the remarkable guitarist behind Angels on the Battlefield. Our discussion delved into his musical endeavors, the origins of his journey, and the passions that fuel his creative output.

AA: Hello JD, where are you from? Please tell us your origin story.

JD: I'm originally from Long Island, New York. I moved to Los Angeles about ten years ago to pursue a career in the music industry, and over that time I've done a bunch of session work, tour all over the United States, Canada, and Europe, and have even been able to start an original band myself.

AA: How did your musical journey begin and evolve?

JD: My love for music is a slow burning love story. When I was a kid, I didn't really have a string opinion towards music, for the most part. I do remember, however, always being captivated whenever the song “Locomotive Breath” by Jethro Tull would come on the radio. When I was in High School, I was inspired to pick up the guitar when I heard the song “N.I.B.” by Black Sabbath on the radio for the first time. I remember turning to my dad the second the song ended and saying “Dad, I want to learn how to play guitar. "Then, later in High School, I heard the song “The Element of One” by Killswitch Engage and knew in that moment that I wanted to write music for the rest of my life. Ever since then, I've been playing guitar and writing music. It's lead to so many wonderful adventures, and it's helped me connect with so many people around the world. I can't imagine doing anything else!

AA: Can you pinpoint a specific moment when you realized you wanted to pursue music as a career?

JD: My senior year of high school, I performed at the school's annual talent show with my band at the time. The moment the lights went down, and the band started playing, I felt a switch flick inside of me, something I'd never felt before that moment, and I knew I wanted to do this with my life.

AA: Can you explain how your love for metal music and playing guitar developed?

JD: The funny thing is that I absolutely HATED heavy metal when I first started getting into music; I was strictly a classic rock guy (though, Black Sabbath crosses both genres). As I searched for more challenging music to learn, I found myself gravitating towards more and more metal.

I ended up going to Ozzfest in 2004 with some friends to see Black Sabbath headline, and within 30 minutes of seeing heavy metal bands performing live, something clicked in me, and I understood the context of all the energy being expressed. I've been in love ever since!

AA: Tell us about all the musical endeavors you have undertaken during your musical journey.

JD: That is a long list! I'll sum it up by saying I've done a BUNCH of session work, which includes recording and touring. And I've formed a band called Angels on the Battlefield which has been my latest career focus the past few years.

AA: Were you from a musical or artistic family?

JD: Out of my immediate family, I'm the only musician. One of my brothers played cello and drums for a short while when he was younger, but I'm the only one that's kept with an instrument. I have a cousin that is a professional singer/actress, and also plays a few instruments.

AA: Describe your experience with Voodoo KungFu.

JD: Playing with Voodoo Kungfu was suer fun, even though it was a short gig. I met one of my good friends as a result of doing so; Mr. Chen Balbus of Orphaned Land.

AA: How did the idea of forming your own band come about?

JD: As every artist knows (whether you're a musician, painter, sculptor, etc.), you sometimes just have a desire to create through your artistic skill. I felt that for YEARS, and over time slowly kept writing, until during the pandemic, my friend (and bass player in Angels on the Battlefield) Jason Klein encouraged me to start treating the project seriously.

AA: What’s the meaning behind this band's name and story?

JD: I absolutely love the dichotomy between the words Angels and Battlefield. Angels are what we think of as the closest to divine perfection as possible without being a deity, and we think of battlefields as being literal Hell on Earth.

Often times in life we deal with with a mixture of things that we consider both divinely good, and hellishly bad. The idea behind the name was to inspire people that no matter what happens in their lives, they always have the strength to conquer whatever metaphorical battlefields they might be facing.

AA: What did you learn from that band that helped you grow as an artist, businessperson, and individual?

JD: I think my biggest takeaway from that tour was seeing a healthy example of the separation of music as a business and music as an art. There is a time and a place for both, and you should never let those two mindsets cross. Business is for business, and the art is for the art.

AA: How did the recent concert you participated in go, and what was the experience like for you?

JD: Angels on the Battlefield had it's full debut live show a few weeks ago, and it felt absolutely AMAZING! As a band, we'd been working on this project since October of 2021, so finally having the chance to step onto a stage and share this music with a live audience was something we felt was long overdue.

AA: Give us a behind-the-scenes look at your band's creative process.

JD: Most of the music we have currently was written by me (with the exception of two songs I wrote with a friend of mine), with the current line up of the band fine-tuning and arranging their individual parts.

AA: As a guitar player, how do you decide on the type of instrumental guitar riff to include in a song?

JD: That's always a difficult question to answer because, for me, I find that songs tend to be inspired by a variety of different things. The best way I can answer this is that the songs tend to just write themselves, and I am merely the vessel in which they choose to do so.

AA: How long did it take to complete The sleeper has awakened song?

JD: That song took a few days, maybe a week in total. That was an early project in which I was teaching myself how to write, record, mix, and master.

Fun fact: That song was completely recorded using GarageBand through my iPhone 8.

AA: What makes a great song? What draws you in?

JD: In my opinion, a great song is one that was written with genuine intention. A great song allows listeners to full feel the emotional context of the writer.

AA: How do you balance maintaining artistic integrity while handling the business aspect of music?

JD: I have a clear and distinct separation between my “Business Mindset” and my Artistic Mindset,” and I never, ever let the two meet. When it is time to write and create, I let myself write what feels right for the song. When I'm done, then I figure out how to make it all work in a business context.

AA:  Can you tell us more about the inspiration behind your album artwork?

JD: The artwork for our recent single, “Modern Prometheus,” is actually a piece from an artist (Kiren In Digital) that I've been following through social media for a few years now. I first saw that piece around the same time that we as a band started recording “Modern Prometheus,” and it reminded me of the novel Frankenstein (which is what inspired our song). When it came time to release “Modern Prometheus,” I reached out to Kiren about using the piece, and he said it was still available, so we went with it!

AA: If you could open a show for any artist, who would it be? And why?

JD: I'd absolutely love to open up for Killswitch Engage because they are the band that inspired me in choosing my career.

AA: Did you ever consider pursuing a different career path if music did work out for you?

JD: I could see myself working in the mental health field if I wasn't a musician.

AA: What are some of your favorite bands to listen to?

JD: Killswitch Engage, Ice Nine Kills, and Periphery are some of my top choices.

AA: What was your favorite concert that you attended?

JD: I'd have to say Ozzfest 2004 because it had such a strong impact on me, and ultimately helped guide my path in life.

AA: Can you tell us a little bit about your personal experience with mental health and how it has impacted your life?

JD: I struggled with anxiety most of my life. As an adult I was diagnosed with Generalized Anxiety Disorder and have since gone to therapy to help me work through it (which I have found extremely helpful).

JD: I found that my anxieties got the better of me a lot of the time, and often lead me to self-sabotage things in my life. It took me a really long time to recognize, let alone admit, that something was wrong. Once I did, though, I sought professional help, and it literally changed my life.

AA: How do you think we can work towards reducing the stigma surrounding mental health and promoting open conversations about it?

JD: Simply talking about it. The more we share our experiences, the less taboo the subject matter becomes. Often times people are afraid of speaking up because they are fear being judged or rejected, when in reality, most people are willing to listen to those in need; especially if those people are their loved ones.

AA: Do you believe that you art you do is a form of managing your mental health?

JD: It 100% is. Music has helped me reign in the worst of my anxiety fueled difficulties. I honestly don't think I'd be here today if it wasn't for music.

AA: Are you working on new music or projects or planning tours for the rest of the year?

JD: Our main focus at the moment is finishing up the full record for Angels on the Battlefield. If a show/tour opportunity happens to come along we'll take it, but we aren't focusing on that until early next year.

AA: How has your perspective on the world changed over the years?”

JD: The biggest change has been that I used to believe in fate, chance, and destiny. Whereas now I believe things happen when we make them happen; I don't like leaving things to chance.

AA: What would you say if you had the world's attention for five minutes?"

JD: To quote Bill & Ted: “Be excellent to each other.”

AA: We appreciate your openness, JD McGibney and thank you for sharing insights into your personal and professional life.

JD McGibney - Guitarist & Angels on the Battlefield

For updates on JD McGibney, you can connect with him on:

Instagram: https://www.instagram.com/jdmcgibney/

X: https://x.com/JD_McGibney

Explore everything about his band Angels on the Battlefield through the Link tree provided below:

https://linktr.ee/angelsonthebattlefield

*** All photos by JD McGibney, unless otherwise noted **

A Conversation with Self-Portrait Photographer, Shannon O'Malley

I recently had a chance to chat with Shannon O'Malley, a self-portrait photographer based in Minnesota. We explored her artistic path and delved into the intricacies of her photography business. I think you'll find the discussion both insightful and engaging.

AA: Hello Shannon, could you tell us about your background?

SO: From an early age, I’ve always been captivated by storytelling. I found that a photograph could tell a story more powerfully than words. Growing up in Minnesota, I was surrounded by the beauty of nature, family moments, and life’s little milestones, which inspired me to pick up a camera. I wanted to capture those fleeting, meaningful moments—whether it was the way the light hit a subject’s face or the raw emotions exchanged in a candid moment.

AA: What inspired you to pursue photography as a career?

SO: Photography began as a passion, but it also became a practical solution as I balanced being a full-time working mom. As a single mother, I was always looking for ways to not only express my creativity but also support my family. Photography offered a flexible and rewarding way to earn extra income while doing something I loved.

SO: It started as a side hustle, capturing portraits for friends and family, but quickly grew into something much more. As I transitioned into professional photography, I realized how fulfilling it was to build relationships with my clients, make them feel comfortable, and ensure that they look and feel their best. Now, photography allows me the flexibility to be present for my child and my new husband while also pursuing a career that I’m passionate about.

SO: Today, I focus on capturing everything from dating profile portraits to family milestones, knowing that each session is an opportunity to create timeless images that my clients will treasure for generations.

AA: How did you become interested in pursuing self-portrait photography?

SO: I became interested in self-portrait photography as a way to connect more deeply with both my craft and myself. Initially, it started as a means to experiment with lighting, posing, and composition, without the pressure of working with a client. I could take my time, test new techniques, and refine my skills while being my own subject. As I progressed, it became more than just a technical exercise—it evolved into a form of self-expression and a way to tell my personal story.

SO: As a single mom working full-time, photography was my creative outlet, and self-portraiture allowed me to explore how I was feeling during certain stages of life. Whether it was moments of strength, vulnerability, or empowerment, being in front of the camera helped me see myself in a new way and channel those emotions into my work. It became a form of visual journaling, where I could document my journey both personally and professionally.

SO: Through this process, I gained a new perspective on how my clients might feel in front of the camera. It helped me develop empathy and a better understanding of how to make people feel comfortable and confident during their sessions.

SO: Ultimately, it allowed me to grow as both an artist and a photographer, using self-portraits to explore new creative boundaries while helping my clients connect more authentically with the camera.

AA: What type of self-portrait photography style do you specialize in, and how does it set you apart from other portrait photographers?

SO: I specialize in a style of self-portrait photography that focuses on storytelling, emotion, and authenticity. My approach is a blend of natural, lifestyle-driven imagery with a fine-art touch. I aim to capture genuine emotions and moments of introspection rather than just static poses. Whether I’m exploring themes of empowerment, vulnerability, or joy, each self-portrait is meant to tell a story that reflects where I am emotionally or creatively at that point in time.

SO: What sets my self-portrait photography apart is the deep emotional connection I strive to convey. As someone who values both the technical and emotive sides of photography, I aim to make my self-portraits feel relatable to others—whether it’s through the use of moody lighting, raw expressions, or carefully chosen settings that reflect my personal experiences. I often shoot in natural light and everyday environments, adding a sense of realism and connection to the final image.

SO: This emotional depth, combined with my use of natural elements and storytelling, allows me to create portraits that go beyond just aesthetics. It’s about using photography as a medium for self-reflection and personal growth, while also creating work that resonates with viewers on an emotional level.

Additionally, my experience as both the photographer and the subject has given me a unique perspective. I understand the vulnerability of being in front of the camera, and this helps me guide my clients through their own portraits, helping them feel seen and understood. This duality in my work is what I believe makes my style distinct in the world of portrait photography.

AA: What style of photography do you like the least and why? Could you please share the reasons behind your dislike for this particular style of photography?

SO: While I appreciate the skill and creativity that goes into every form of photography, one style that resonates the least with me is heavily staged or overly artificial photography—especially in portrait sessions. By this, I mean photography that relies heavily on forced poses, unnatural backdrops, and overly retouched images where the final product feels disconnected from the subject's true personality.

SO: For me, photography is about capturing real, raw emotions and telling a story through the lens, so I find it challenging to connect with styles that prioritize perfection over authenticity. I feel that when a photo is too contrived, it loses the genuine connection and emotion that can make an image truly special. Photography, in my view, should allow people to feel seen, not manufactured.

SO: This doesn’t mean that posed photography doesn’t have its place—there’s certainly value in it for editorial work, fashion, and certain professional environments. However, for the type of work I do, particularly with families, seniors, or dating profiles, I find that natural, candid moments often hold more weight and depth.

SO: In short, my preference leans heavily toward organic and genuine imagery, where the subject’s true self shines through. When photos are overly edited or lack that emotional connection, I feel it can dilute the very essence of what makes photography so powerful.

AA: What professional photographers have influenced your work, and how do you incorporate their techniques into your photographs?

SO: Several professional photographers have greatly influenced my work, both in terms of style and approach.

1. Annie Leibovitz – Her ability to capture powerful emotions and tell a story through her images has always inspired me. I admire how she combines raw human expression with dramatic, almost cinematic lighting. I strive to incorporate storytelling into my sessions, whether it's through the way I position clients or by creating an atmosphere where their emotions can shine

   through authentically.

   
   

2. Sue Bryce – Known for her elegant, fine-art portraits, Bryce's work has had a big impact on how I approach both my maternity and senior sessions. Her use of natural light and her attention to posing that flatters each individual have taught me how to make my clients feel confident and beautiful, while also creating timeless images that they’ll treasure.

   
   

3. Jasmine Star – I admire her emphasis on personal branding and creating a connection with clients. She brings an authenticity and realness to her photography that resonates with me. She’s taught me how important it is to make people feel at ease during a session, which in turn allows me to capture their true essence.

AA: How long do your photo sessions typically last when working with your clients?

SO: My photo sessions vary in length depending on the type of session and the needs of the client. Here’s a breakdown of typical session times:

1. Online Dating Portraits: These sessions typically last anywhere from 1 to 3 hours. The timing depends on the package chosen, the number of outfits, and the variety of locations we decide to shoot in. I like to take the time to ensure we capture the perfect range of images to represent your authentic self.

   
   

2. Senior Portraits: Senior sessions usually run about 2 hours. This gives us plenty of time to explore different outfits, settings, and poses to showcase your personality as you celebrate this important milestone.

   
   

3. Family, Newborn, and Maternity Sessions: These sessions generally last around 1 hour. During this time, we focus on capturing genuine moments and emotions, whether it's the anticipation of welcoming a new baby, celebrating family connections, or documenting the beauty of motherhood.

Each session is designed to provide a comfortable, laid-back experience while allowing for a comprehensive set of high-quality images.

AA: What is the difference between a mini-session and a complete family portrait session?

SO: The primary difference between a mini-session and a complete family portrait session comes down to time, scope, and depth of the experience.

Mini-Session:

• Duration: Typically, 15-30 minutes, designed to be quick and efficient.

• Fewer Images: You get fewer final images, usually focusing on a small selection of shots, and there is often little time for wardrobe changes or multiple locations.

• Quick Setup: These sessions tend to be pre-planned with set locations and themes, offering less flexibility for personal touches or capturing candid, authentic moments.

SO: Because mini-sessions are shorter, I find they don't always allow enough time to build rapport and get those genuine, heartfelt interactions that I love to capture. The goal is to provide a quicker, budget-friendly option, but it can feel rushed.

Complete Family Portrait Session:

• Duration: Typically, around 1 hour, which allows for a more relaxed pace.

• More Images: You receive a more comprehensive gallery with a wider variety of shots, capturing different moods, interactions, and settings.

• Personalized Experience: These sessions are fully customizable, with more time for location changes, wardrobe adjustments, and candid moments that reflect the authentic dynamics of your family.

SO: In a complete session, I have the time to get to know the family, ensure everyone feels comfortable, and create those authentic, emotional images that reflect your family's unique bond.

SO: In short, while mini sessions offer a quick snapshot, a complete session allows for a deeper, more meaningful experience, where we can truly capture the heart of your family.

AA: When deciding on pricing for my photography services, I consider several key factors to ensure my rates reflect both the value I offer and the needs of my clients:

SO:

1. Cost of Doing Business:

• Time and Expenses: I factor in the time it takes for consultations, the session itself, editing, and final delivery. I also account for business expenses such as equipment, software, marketing, insurance, and travel.

• Materials: For services that include physical products, like prints or albums, the cost of producing and delivering those items is calculated into the final price.

2. Client Experience:

• All-Inclusive Services: My packages are designed to provide a seamless experience from start to finish. The more comprehensive the service (like maternity or family sessions with wardrobe consultations, location scouting, and personalized albums), the higher the rate to reflect the value and time commitment.

• Time Involved: Longer sessions, like full family or senior portraits, require more planning, editing, and deliverables than shorter mini-sessions, so the pricing reflects that additional time.

3. Market Research:

• I evaluate what other photographers in my area and niche are charging to ensure my pricing is competitive while also aligning with the high quality of service I provide. I aim to offer rates that match my skill level and experience without undervaluing my work or pricing myself out of the market.

4. Value and Expertise:

• Experience and Specialization: As a photographer with years of experience in capturing everything from senior portraits to newborn sessions, I price my services to reflect the expertise and value I bring to each session. This includes the personalized touch and creative vision that go into every project.

• Client Results: I think about the lasting value I provide through my images—timeless, meaningful memories that clients will cherish. The emotional and artistic value of these photographs is factored into my pricing.

5. Flexibility for Add-Ons:

• I also offer add-on services, such as styling consultations or print packages, that clients can choose to enhance their experience. These optional add-ons allow for flexible pricing while giving clients the opportunity to personalize their package.

Ultimately, I strike a balance between covering my costs, reflecting my expertise, and ensuring that my clients feel they are getting high value for their investment. This way, I can provide a high-quality experience without compromising on the time and effort it takes to create meaningful images.

AA: How do you make a client feel comfortable?

SO: Creating a comfortable atmosphere for my clients is one of my top priorities because I believe that the best photos come from people who feel relaxed and confident. Here’s how I approach it:

1. Building Rapport: Before the session even begins, I take the time to chat with my clients. Whether it’s via email, phone, or an in-person consultation, I want to get to know them. This helps break the ice and allows us to connect on a personal level. By the time the shoot starts, it feels more like spending time with a friend than a photographer.

   
   

2. Guidance & Reassurance: I don’t expect my clients to know exactly how to pose or act in front of the camera. That’s my job! Throughout the session, I offer gentle guidance and reassurance, showing them how to stand, move, and relax in ways that look natural. I also encourage them to embrace candid moments, which often leads to the most authentic and beautiful images.

   
   

3. Positive Feedback: During the shoot, I constantly offer positive feedback. If a pose or expression looks great, I make sure they know it. This builds confidence and helps them feel comfortable being themselves.

   
   

4. Creating a Relaxed Environment: Whether I’m working with a family, a senior, or someone for their online dating profile, I aim to keep the atmosphere light and fun. I’ll often crack jokes or engage them in conversation about something they enjoy to keep the mood relaxed.

AA: How do you deal with a client who is unhappy with their photos?

SO: Thankfully, this situation is rare, but if a client is ever unhappy with their photos, I handle it with empathy, professionalism, and a commitment to making things right.

1. Listening and Understanding: The first step is to listen carefully to their concerns without being defensive. I want to fully understand what they don’t like and why. Whether it’s about the lighting, the editing, or the posing, I need to know their perspective so I can address it.

   
   

2. Offering Solutions: Once I understand their concerns, I’ll offer a solution. This could involve re-editing a few images to better suit their preferences or offering to reshoot certain parts of the session, especially if something didn’t go as planned. My goal is to ensure the client is satisfied with the final product.

   
   

3. Maintaining Open Communication: I always make sure to keep the lines of communication open, so the client feels comfortable voicing any issues. My priority is to ensure they feel heard and that we work together to create images they love.

   
   

4. Learning from Feedback: Even though it’s tough to hear that a client isn’t happy, I use these situations as opportunities to learn and improve. I reflect on what could have been done differently and incorporate that into my workflow moving forward.

AA: Please describe a challenging photo shoot you experienced and how you overcame the obstacles.

SO: One of the most challenging photo shoots I experienced was an outdoor family session in early spring here in Minnesota. The weather is always unpredictable during that time, and on the day of the shoot, the temperature suddenly dropped, and the wind picked up drastically. The family had young children, which added to the challenge because they were feeling the cold even more than the adults, making it hard to keep everyone comfortable and engaged.

SO: The first step I took to overcome this was communication and reassurance. I let the family know we could take breaks to warm up, and I kept the session light-hearted to avoid stress, especially for the kids. I also worked quickly to capture key shots before everyone got too cold.

SO: I changed up my usual approach by focusing on more dynamic shots that allowed the family to move around—this kept them warmer and made the session feel like more of a fun activity. We played little games like “run to mom and dad,” and those candid moments turned out to be some of the best shots.

SO: Despite the harsh conditions, the images turned out beautifully, with genuine smiles and warm family moments. It was a reminder that flexibility, quick thinking, and making sure the clients feel taken care of are key to overcoming challenges in any photo shoot. This experience also taught me that some of the most unexpected conditions can lead to the most authentic and heartfelt images.

AA:  Given the choice, do you find more fulfillment and satisfaction in pursuing photography as a profession compared to your previous 9-5 job?

SO: Absolutely. While my 9-5 job provided stability, there’s a level of fulfillment that photography brings that I never experienced in the corporate world. Photography allows me to connect with people on a deeper, more personal level—capturing real emotions and stories. Being able to help families, individuals, and couples preserve moments they’ll cherish forever is incredibly rewarding.

SO: Photography also offers me the creative freedom to express myself in ways that I wasn’t able to in a traditional job. Every session is different, and I love the challenge of bringing someone’s vision to life while also leaving my creative mark on it.

SO: Moreover, as a single mom, photography gave me the flexibility I needed to spend more time with my son while still pursuing my passion and supplementing my income. It's been an amazing journey, and being able to turn my side hustle into a successful full-time career has been life-changing. The sense of satisfaction I get from creating meaningful work that impacts others is something that a 9-5 just couldn't provide me with.

AA: Can you tell us more about your "Unleash Your Inner Artist: Master the Art of Self-Portrait Photography" program?

SO: The Self-Portrait Masterclass" is a comprehensive program designed to guide individuals through the process of mastering self-portrait photography. Whether you're a photographer looking to hone your skills or someone who simply wants to explore their creative side, this course is tailored to help you express yourself through imagery.

SO: The course covers everything from the technical aspects, like camera settings and lighting, to the more personal side, like posing, storytelling, and building confidence in front of the camera. What sets this program apart is that it’s not just about taking photos—it’s about exploring your personal story and creativity through the lens. I teach participants how to use self-portraits as a form of self-expression, reflection, and growth.

Participants will learn:

• How to set up your camera for self-portraits, even if you're working alone.

• Creative ways to use lighting, angles, and locations to capture the essence of your story.

• Techniques to feel more comfortable in front of the camera.

• Posing tips and how to embrace both your strengths and imperfections to create authentic, beautiful images.

• The importance of storytelling in self-portrait photography and how to convey emotion through your photos.

Throughout the course, I provide personal feedback, exercises, and resources to help students tap into their inner artist and create images that resonate with them. This course is perfect for both beginners and experienced photographers looking to challenge themselves creatively.

Ultimately, “The Self-Portrait Masterclass” is about more than just photography—it’s about building confidence, capturing authenticity, and seeing yourself through a new lens.

AA: What does success look like for you as an artist?

SO: For me, success as an artist goes beyond just producing beautiful images. It’s about creating work that resonates emotionally with the people I photograph, helping them feel seen and valued. Success is when my clients look at their photos and see more than just an image—they see a memory, a milestone, or a part of their story that’s been authentically captured.

SO: In more practical terms, success is about building lasting relationships with my clients, many of whom return for multiple sessions as their families grow or as they experience new life stages. It’s also about pushing my creative boundaries, continuously learning, and exploring new ways to tell stories through my work.

SO: Ultimately, success as an artist is when I am able to balance creativity with a thriving business that allows me to support my family, while doing what I love every day. If I can continue to create meaningful images that touch people’s lives, that’s success for me.

AA: What message or emotions do you hope to convey through your photography?

SO: Through my photography, I strive to convey a message of authenticity, connection, and timelessness. Whether I'm capturing a senior stepping into a new chapter of life, a family’s deep bonds, or the excitement of welcoming a newborn, my goal is to create images that are not only beautiful but also filled with genuine emotion.

SO: I want my clients to see themselves as they truly are—confident, joyful, and full of life. At the same time, I aim to preserve these moments in a way that will resonate for generations. There’s a certain vulnerability and openness in letting someone capture your story, and I want that to come through in my work: a celebration of life’s imperfect, fleeting, and deeply personal moments.

SO: In each photograph, I hope to evoke emotions of warmth, love, and nostalgia, helping my clients feel a sense of pride and happiness when they reflect on these moments. Ultimately, I want my work to be a reminder of the connections that matter most—whether it’s the bond between family members or the story of an individual’s journey.

AA: Describe one of your best photos and what makes it great.

SO: One of my best photos is this self-portrait taken in my bedroom (shown below). What makes this image stand out is how it captures a raw and authentic moment in the most natural of settings. I shot this during a quiet moment, allowing myself to feel completely free and uninhibited.

SO: The soft natural light streaming through the window enhances the mood of the photo, casting gentle rays across the frame. The positioning of my legs and arms creates an intentional yet spontaneous feel, as if caught mid-dance, which gives the image an artistic yet relaxed vibe. The surrounding shadows and muted colors also contribute to the emotional depth of the image, making it feel intimate and personal.

SO: The reason why I believe this photograph is one of my best is due to the combination of vulnerability, artistry, and technical execution. It allows the viewer to step into a private moment and experience the peace and beauty of quiet self-reflection. It’s these elements—authenticity, subtlety, and the play between light and dark—that, for me, define what a great photograph should convey.

AA: What do you consider your strengths? What are your weaknesses?

SO: Strengths: One of my greatest strengths as a photographer is my ability to create authentic connections with my clients, which allows me to capture genuine emotions and natural moments in my photos. This connection helps my clients feel comfortable and relaxed in front of the camera, leading to images that truly reflect who they are. Another strength is my artistic approach to lighting and composition, which allows me to create images with depth, emotion, and a distinct style.

SO: Additionally, I consider my attention to detail to be a major strength. I am meticulous in the way I compose my shots, select locations, and edit images, ensuring that every aspect of the photo adds to its overall story. I also pride myself on my flexibility and creativity, always open to experimenting with new angles, techniques, and ideas that set my work apart.

SO: Weaknesses: A challenge I face is balancing the creative and business sides of photography. As an artist, I love focusing on the creative aspects, but managing the business—such as administrative tasks, marketing, and pricing—can sometimes be overwhelming.

SO: Another weakness is my tendency to be overly critical of my work. While being detail-oriented is a strength, it can also lead to spending excessive time perfecting images. I’ve had to learn to trust my initial instincts and not get stuck in the cycle of over-editing or second-guessing my choices.

SO: Lastly, I sometimes struggle with saying no to new projects or clients, even when my schedule is already full. This can lead to burnout, so I’m continuously working on setting better boundaries to protect my creative energy and ensure I’m delivering the best results for every client.

AA: If you could have dinner with any photographer, alive or dead, who would it be, and what might you ask them?

SO: If I could have dinner with any photographer, it would be Annie Leibovitz. Not only is she one of the most iconic portrait photographers of our time, but her ability to tell stories through imagery and capture the essence of her subjects is something I deeply admire.

SO: During dinner, I would ask her about her thought process in crafting those larger-than-life yet intimate portraits, such as her work with celebrities, world leaders, and cultural figures. Specifically, I'd love to know:

SO: How she connects so deeply with her subjects and makes them comfortable, even in highly staged or grandiose settings.

SO: How she balances artistic direction with capturing authentic moments in portraits. What her approach is when tackling complex lighting and composition in varied, challenging environments.

SO: I’d also ask about her evolution from documentary-style photography to more stylized editorial shoots and how she maintains creativity while navigating commercial constraints.

SO: Lastly, I’d love to hear about her personal journey as a female photographer in a competitive field and how she manages to keep pushing boundaries in her work over decades.

SO: Her career has been filled with risks, innovation, and storytelling—traits that I try to incorporate into my work, and I'd love to hear her insights firsthand.

AA: Explain three ways to use light to create a powerful photo.

Here are three impactful ways to use light to create a powerful photo:

1. Backlighting for Drama and Silhouettes

Backlighting involves positioning the main light source behind your subject, which can create striking silhouettes or glowing edges, adding depth and emotion to your photos. This technique works well during golden hour (just before sunset or after sunrise), as the soft light creates warmth and drama. Backlighting also highlights textures like hair or fabric, giving the image a dreamy, ethereal quality. For silhouettes, you can expose for the sky, creating high contrast between the dark subject and the bright background.

2. Side Lighting for Depth and Dimension

Side lighting, where the light comes from a 90-degree angle to the subject, enhances texture and depth in a photo by creating contrast between light and shadows. This technique is especially effective in portrait photography, as it sculpts the subject’s face and body, giving the image more character and dimension. Side lighting is also ideal for still life or landscape photography, where it adds a sense of texture and mood, emphasizing the details that might otherwise be missed.

3. Soft Diffused Light for Natural, Flattering Portraits

Diffused light, which scatters light evenly across the subject, reduces harsh shadows and softens features. This type of light is perfect for creating flattering portraits, as it smooths skin tones and brings out natural beauty. Overcast days provide naturally diffused light, but you can also create it using reflectors, light modifiers, or shooting in shaded areas. This technique is ideal for minimizing distractions and focusing on the subject’s expression and emotional presence.

These lighting techniques, when applied with intent, can dramatically enhance the mood, texture, and depth of a photo, making it more emotionally compelling and visually striking.

AA: What are your favorite locations to make art with your camera?

SO: My favorite locations to make art with my camera tend to be places that offer a mix of natural beauty, texture, and soft lighting. Here are a few top choices:

1. At-Home Sessions: There’s something intimate and raw about capturing moments in someone’s home, where they feel most comfortable. The familiar setting brings out genuine emotions and allows me to play with natural light coming through windows and doors, making the images feel both personal and artistic.

   
   

2. Open Fields at Golden Hour: Open fields, especially during the golden hour, provide the perfect backdrop for family sessions, senior portraits, or even self-portraits. The soft light of the setting sun casts a beautiful warm glow, while the wide, unobstructed space creates a sense of freedom and calm that shines through in the photos.

   
   

3. Urban Settings with Unique Architecture: I also enjoy shooting in urban environments with lots of texture, like brick walls, old buildings, or alleyways. These locations offer contrast, depth, and an edgy vibe, which I love to incorporate into portrait sessions, especially for dating profiles or senior portraits.

   
   

4. Lakes and Forests in Minnesota: Living in Minnesota, I’m spoiled with access to picturesque lakes and dense forests. I love capturing maternity or family sessions by the water or within a forest setting, using nature’s organic elements to tell a story of connection and peace.

What’s great about all of these locations is their versatility—each one offers something unique that can be adapted to the client’s story and the mood I want to create.

AA: What would you say if you had the world's attention for 5 minutes? 

SO: If I had the world's attention for five minutes, I'd use that time to talk about the power of authentic connection, the beauty of vulnerability, and the importance of embracing your unique story. Too often, we are caught in a cycle of comparison, social media highlight reels, and unrealistic expectations. I would encourage everyone to step back from that and realize that who you are, in your most genuine form, is enough—and that the world needs your voice, your story.

SO: I’d emphasize the power of kindness and empathy, how taking small moments to truly listen and connect with others can change lives. We often underestimate how our words and actions, even the smallest ones, can leave lasting impressions.

SO: Lastly, I would remind people to find and follow their passions. In the chaos of life, it’s easy to lose sight of what lights us up. We all have something inside us that drives us—whether it’s art, advocacy, science, or service—and that thing is what the world needs from you.

SO: In short, I’d encourage the world to slow down, appreciate each moment, and be brave enough to be themselves while showing kindness to others and the earth.

AA: Shannon, I appreciate you sharing a lot about yourself and your photography

journey! I wish you the best of luck in all your future pursuits!

Shannon Omalley - MN Photographer & Educator

For further details on Shannon Kathleen Photography, please visit her website provided below.

https://shannonkathleenphotography.com/

Unleash Your Inner Artist: Master the Art of Self-Portrait Photography:

https://shannonkathleenphotography.com/courses

*** All photos by Shannon Kathleen Photography, unless otherwise noted **